TOTO


Falling In Between

(2006)



1. TOTO Falling In Between 4'06 About
(Steve Lukather / David Paich / Simon Phillips / Mike Porcaro / Bobby Kimball / Greg Philinganes)
й2005 BUDDY LOVE MUSIC / DAVLO MUSIC / PANTS PARTY PUBLISHING / MICHELUCE MUSIC / SHEETFIRE MUSIC
Administered by The FITZGERALD HARTLEY Co. (ASCAP) / KING ARTHUR MUSIC (ASCAP)
2. Dying On My Feet 6'11
About
(Steve Lukather / David Paich / Bobbty Kimball / Simon Phillips / Mike Porcaro)
й2005 BUDDY LOVE MUSIC / DAVLO MUSIC / SHEETFIRE MUSIC / PANTS PARTY PUBLISHING / MICHELUCE MUSIC
Administered by The FITZGERALD HARTLEY Co. (ASCAP)
3. Bottom Of Your Soul 6'58
About
(David Paich / Steve Lukather / Simon Phillips / Bobby Kimball / Mike ╨юrcaro)
й2005 DAVLO MUSIC / BUDDY LOVE MUSIC / / PANTS PARTY PUBLISHING / SHEETFIRE MUSIC / MICHELUCE MUSIC
Administered by The FITZGERALD HARTLEY Co. (ASCAP)
4. King Of The World 4'05
About
(Bobby Kimbail / Steve Lukather / David Paich / Steve Porcaro / Simon Phillips / Mike Porcaro)
й2005 SHEETFIRE MUSIC / BUDDY LOVE MUSIC / DAVLO MUSIC / PANTS PARTY PUBLISHING / MICHELUCE MUSIC
Administered by The FITZGERALD HARTLEY Co. (ASCAP)
So Little Time Songs administered by PORCARA MUSIC Inc. (ASCAP)
5. Hooked 4'37
About
(Simon Phillips / Steve Lukather / Mike Porcaro / David Paich / Bobby Kimball)
й2005 ╨╟NTS PARTY PUBLISHING / BUDDY LOVE MUSIC / MICHELUCE MUSIC / DAVLO MUSIC / SHEETFIRE MUSIC
Administered by The FITZGERALD HARTLEY Co. (ASCAP)
6. Simple Life 2'22
About
(Steve Lukather)
й2005 BUDDY LOVE MUSIC
Administered by The FITZGERALD HARTLEY Co. (ASCAP)
7. Taint The World 4'02
About
(Steve Lukather / David Paich / Simon Phillips / Bobby Kimball / Mike Porcaro)
й2005 BUDDY LOVE MUSIC / DAVLO MUSIC / PANTS PARTY PUBLISHING / SHEETFIRE MUSIC / MICHELUCE MUSIC
Administered by The FITZGERALD HARTLEY Co. (ASCAP)
8. Let It Go 5'01
About
(Steve Lukather / David Paich / Simon Phillips / Bobby Kimball / Mike Porcaro)
й2005 BUDDY LOVE MUSIC / DAVLO MUSIC / PANTS PARTY PUBLISHING / SHEETFIRE MUSIC / MICHELUCE MUSIC
Administered by The FITZGERALD HARTLEY COMPANY (ASCAP, King Arthur Music - ASCAP)
9. Spiritual Man 6'22
About
(David Paich)
й2005 DAVLO MUSIC
Administered by The FITZGERALD HARTLEY COMPANY (ASCAP, King Arthur Music - ASCAP)
10. No End In Sight 6'10
About
(David Paich / Steve Lukather / Bobby Kimball / Simon Phillips / Mike Porcaro)
й2005 DAVLO MUSIC / BUDDY LOVE MUSIC / SHEETFIRE MUSIC / PANTS PARTY PUBLISHING / MICHELUCE MUSIC
Administered by The FITZGERALD HARTLEY COMPANY (ASCAP, King Arthur Music - ASCAP)

Total Time: 48:54


  • Steve Lukather - Guitars, Vocals
  • David Paich - Keyboards, Vocals
  • Greg Philiinganes - Keyboards, Vocals
  • Mike Porcaro - Bass
  • Steve Porcaro - Synths (2, 5, 8, 10), Piano (6), Sound Design (1, 4, 5, 8, 7, 10)
  • James Pankow - Trombone (2), Horn Arrangement (2)
  • Lee Thornburg - Trumpet (2)
  • Ray Hermann - Tenor (2)
  • Ian Anderson - Flute (5)
  • Tom Scott - Tenor (9)
  • Simon Phillips - Drums, Percussion, Programming
  • Lenny Castro - Percussion (2, 3, 6, 8-10)
  • Bobby Kimball - Vocals
  • Jason Scheff - Vocals (3, 4), Additional Background Vocals (1)
  • Joseph Williams - Vocals (3)
  • Shenkar - Violin (1), Voice (1), Vocals (3)
  • Trevor Lukather - Backing Vocals (5)
  • James Thorne - Backing Vocals (5)
  • Monet - Background Vocals (9)

    Produced by TOTO
    Engineered by Simon Phillips
    Assistant Engineering by Stefan Nordin
    Additional Engineering by Mike Ging and PhttJ
    Additional Recording at ATS STUDIO by John Jessel and Steve Cohen and Steve's STUDIO with Mike Ging and Nic Bolas
    Mixed by Steve MacMillan
    Mastered by Stephen Marcussen at MARCUSSEN MASTERING, Hollywood, CA
    Album Art by Jim Evans
    Photography by Pamela Springsti
    Project Coordinator: Anita Heilig
    Management:
    TheFITZGERALD HARTLEY Co.

    Recorded at PHANTOM RECORDINGS, Sherman Oaks, CA, Feb-Oct 2005

    The Band would generally like to Thank
    Everyone who helped bring this labor of love to fruition especially Mark Hartley, Martin Cole, Anita Heilig, and Chad Jensen at The FITZGERALD HARTLEY Co., Gary Haber, Patty Wicker, Ron Remis and Stacey Brown at HABER Corp., Serafino Perugino, Mario De Riso, Lorenzo Pagliaro, Gulio Cataldo, Elio Bordi and Ezio Benetti at FRONTIERS RECORDS, Scott Page and Russ Lujan at NEWMBC, Stefan Nordin, Steve Porcaro, Ian Anderson and Jim Pankow for making time for us and being a part of this album and all the musicians who contributed their talent to this record, Phil Soussan, Steve MacMillan, Stephen Marcussen, Petra & Mark Regemann and Steve McVey at www.Toto99.com, Will Minting, Jonathan Hoffberg, The NATURAL GOURMET, Luigi and Georgio at OLIVA (thanks for the great food and martinis!) and our crew that keeps the operation alive on the road.

    Steve Lukather would like to Thank:
    My wife and best friend Shawn, my kids Trevor and Tina Lukather, My Mom and my family. Dave, Olga and Sharon Batten (my other family) Lora, Jerry and Luke Kitch, Arend-Gea, Kay and Robin Slagman who run Stevelukather.net, thanks for all the hard work. Miriam Barrientos, Mark, Anita & Tay, Kane Schkolnik and Ron Remis for looking after me everyday!
    Bob Bradshaw for makin' my gear work, Sterling, Stacey, Brian, Scotty and Casey Ball for just bein there always and to Steve Porcaro for his unreal keyboards and synths and sound efx.
    It's great to have your genius back. Love to Mark, Petra and Steve Sarlic at Toto99.com, Will Minting and all my friends and all of the world-family-friends that have supported me and the band for almost 30 years. Thanks a lot and I won't forget! See ya soon!

    Endorsements:
    Music Man Guitars. Ernie BALL Strings.
    OVATION / ADAMAS Acoustic Guitars.
    Peter Janis at
    RADIAL TONEBONE, TC ELECTRONICS, CUSTOM AUDIO ELECTRONICS,
    XOTIC EFX, Don Ramsey and his Vibrato Arm, Andy BRAUER STUDIO RENTALS, ISP for the sub woofer rig.
    Jimmy Dunlop for the rack Wah-wah.

    Mike Porcaro would like to Thank:
    Mr. Toshihiro Kanemoto and Mr. Makoto Sugimoto from Sugi guitar for their wonderful instruments, Ron Mareno from BBE / G&L, George Furlanetto from F Bass, Mike Powers from Peavey and Paul "Jama" Jamieson Ч Beautiful Cats one and all !
    Special Thanks go to
    Teruo Mu-Murakami for his friendship and sound engineering skills. Cheryl. Brianne, Sam and Jeff I love you all so much !

    Also Thanks go out to

    My parents Joe and Eileen and my sister Joieen. To my brother Steve, thanks for being a sounding post and coming up with such brilliant keyboard work on this recording.

    Special Thanks also to

    Jay Obuko for being so kind to me - and patient and for ail her hard work on mikeporcaro.com

    Bobby Kimbali would like to Thank:

    Jasmin Gabay for "being there" for me always. Allison, my brothers and sisters and the entire Gabay family. I wish to officially say "thank you" and "good-bye" to my first and greatest mentor, Ray Charles, for inspiring me to become a singer. You still sing within my soul. Jason Scheff for being a great friend and writing partner, to The AURIC Company in Germany for all you've done for me, to Hartmut for being a friend and "The TOTO Headlines Gang" for your support .. and efforts. Mostly, thanks to all the fans of thejbatjd for so many years. You are the reason we continue to make music.

    Simon Phillips would like to Thank:

    Ryan Smith at SHURE MICROPHONES, John Jenninga at ROYER MICROPHONES, Mark Ludmar at RODE MICROPHONES, John Connelly at DIGIDESIGN, Dave Crane at UNIVERSAL AUDIO, Dave & Dan at CALIFORNIA VINTAGE GUITARS, Lee & Mike at DRUM PARADISE, Gene Provencio at TAMA, John De Christopher & James McGathy at ZILDJIAN, Bob Wicziing & Tina Clarke at ZILDJIAN UK. Matt Conners at REMO, Kevin Radomski & Pat Brawn_at PRO MARK, Neil Graham at XL SPECIALTY

    A Special Thank you to

    Stefan Nюrdin for all your hard work. Carola - thank you for your constant support and guidance.

    Gregg would like to Thank:

    First, to my Lord & Saviour Jesus Christ for blessing me with the opportunity to be in the World's Greatest Band. Secondly, my wife, Princess Courtney and my new "Princess In Training". Miss Ellian Marie! I love you both with all my heart.

    Big Love and Thanks To

    Steve "Lu-Chang" Lu for INCOMPARABLE tech service ! Finally, my "Brothers In Arms": thank you Dave, Luke, Si-Phi, Mikey and Bubba for welcoming me into your "kingdom". I have the deepest love and respect for each one of you and I am blessed to the part of your lives. Here's to the future ...

    Endorsement:

    KORG Instruments, BOSENDORFER Piano

    David Paich would like to Thank:

    GOD, for making this all possibte. Special Thanks To my best friend and companion, Lorraine, my daughter Elizabeth, The boyz in the band, Russ Francis. Elizabeth Wegman, Ruth Alley, Patty Russell, John Jessel and Steve Cohen. Also, my sister Lorrie Cohen and her family. Jason Scheff, Shenkar, Keith Albright, Mark, Anita and Martin, Jon Wolfson, Tom Scott, Jim Pankow. Esther, Aaron Martin, Phil Soussan, Steve Porcaro and Shari Sutcliffe.

    Endorsements:

    YAMAHA, DIGIDESIGN

    Shenkar appears Courtesy of ARDOR RECORDS
    Tom Scott
    -
    www.tomscottmusic.com

    www.toto99.com





    1. Falling In Between

      I've just got to find
      Find a way, back home to you girl

      Life's been Hell to pay
      I can't disobey,
      Gotta live in my world
    Chorus I

    I hear voices calling
    From the faces never seen
    Darkness all around me
    I am falling in between

      You've been lookin' down
      Down to the ground
      On everything I say girl

      Hope just can't be found
      I'm so gagged and bound
      Because of you girl
    Chorus II

    I hear voices calling
    From the places I have been
    Love and understanding
    Only flows from deep within
    Darkness that surrounds me
    I am falling in between ....

    David: I remembered a small idea I had just after the tsunami tragedy. Shenkar had called me and asked if I would write something for his country, India. I had that part and it became the intro

    2. Dying On My Feet

      Dying on my feet
      Sure beats living on my knees
      These hands around my neck
      They get tighter as you squeeze
      I'd crawl across the water, baby
      Just to get away from you
      Take my life but make it shorter
      Seems the least that you could do

      Reach out
      Someone reach out to me
      Cause I've lost my way
      Sometimes we
      Give into things, when we lie and cheat,
      Say things
      My life's crumblin' down
      Time for me to pray
      Hold me in
      Deep inside, cause I'm dying on my feet

      Life is hard
      But I think, "Compared to what?"
      Can't see the things you get to
      But deserve just what you got
      Will you still forgive me baby
      If I don't come back for more
      Everything that ever mattered baby
      Is locked behind your door

      Can't judge
      Things I don't understand
      Since you walked away
      Easy to
      Feel this way,
      Cause I'm back on the street, well
      Life is
      A game you can't win
      You can only play
      Here I am
      I'm just dyin,
      I'm just dyin,
      I'm just dyin!
    Instrumental Break
      Reach out
      Someone reach out to me
      Cause I've lost my way
      Sometimes we
      Give into things, when we lie and cheat,
      Say things
      My life's crumblin' down
      Time for me to pray
      Hold me in
      Deep inside, cause I'm dying,
      I'm just dyin', I'm just dyin'
    Luke: It started out with an idea that Dave and I had and built from there and the song kind of recorded itself - everything went down easily from the percussion to the final vocal, Bobby on lead, Greg and I on BG's. This is a cool track as it has several sections. Lenny and Steve P. are on this, and the coolest thing about it is that Jimmy Pankow from the band CHICAGO did a horn chart for us.

    Simon: Another band written song, put together section by section and in fact this was the demo track - it just had such a good groove. I particularly love Bobby's vocal performance on this one - exploiting a slightly lower range of this voice. A very cool solo from Luke - probably my favourite on the album.

    3. Bottom Of Your Soul

      Where are the children we lost not long ago
      Feel for the Mothers who weep for them
      I pray for the Fathers who are standing by their side
      In their world of pain and suffering

      Have you ever seen the look in a hungry child's eyes
      They can't eat money or promises
      Give them your smile and try holding out your hand
      Let them know you're there, let them know you're there
    Chorus

    Why is it always the ones that we love
    Are the ones that will never come home
    Why must all of the bridges we cross take their toll
    Always remember the voice in your head
    Speaks to you when you're alone
    And it comforts you
    From the top of your heart to the bottom of your soul

      You can swim in a river of tears they cry
      For they sleep on the winds of uncertainty
      Show us a sign and make us believe again
      There's no other way, oh, there's no other way
    Chorus

    Instrumental Break

    Chorus

    Joseph: I would just like to express my gratitude to the guys for asking me to contribute to this record. It was as if no time had past since we fast worked together. The difference this time was that the pressure and stress was missing allowing creativity and musicality to rule the day. The guys were welcominq of all my ideas and I could not have asked for a better song on which to sing. I think "Bottom Of Your Soul" revives some of that old TOTO magic. I fell in love with back before my tenure, back when I was a fan.

    4. King Of The World

      Smoke and mirrors
      It's a house of cards
      Everybody has windows
      And big cigars

      The law of the jungle
      Is very new to some
      The animals are vicious and arrogant
      And they eat their young

      I used to work my job from 9 to 5
      I just survived

      I was the king of the world
      I had every thing thrown at me,
      That the judge and jury could hurl
      I was the man of the hour
      I would claw and scratch my way up,
      To the very top of the tower

      Helter skelter
      It's a den of thieves
      Sea of errors
      That a greedy man weaves

      A few really bad apples
      Always spoil the lot
      Rolling blackouts
      On everyone's block

      I go to work and try to make ends meet
      My life is over

      I was the king of the world
      I had everything I needed,
      I owned every type of girl
      I was the man of the hour
      I would claw and scratch my way,
      Up to the very top of the tower
    Instrumental Break
      I was the king of the world
      I had everything I needed,
      I owned every type of girl
      I was the man of the hour
      I would claw and scratch my way,
      Up to the very top of the tower
    Luke: This is a wildcard track that almost didn't make it to the CD. It started out a whole other tune and we were gonna use THIS as our bonus cut. We gave it to Steve Porcaro to tweak out and he edited the whole thing and then sent it back to us. It's a whole different tune. It has Dave, me and Bobby singing lead for the first time ever and I think it's turned into one of my faves.

    David: "King Of The World" was previously titled "Den Of Thieves Or Smoke And Mirrors", It is about the fall of Enron, as told from three perspectives. One, being the "man on the street (narrating), two, being a low level worker and the third being the Big Dog exec. In addition to the band, Steve Porcaro played a major role with creative editing, intros and dazzling effects. Jason Scheff from CHICAGO also lent a hand on vocal harmonies.

    5. Hooked

      Gimme some beer,
      Gimme some fear,
      Reality and fame

      Money from you
      Money for them
      Billions being made

      You think you got a real deal
      All you're buyin' is a fifth wheel
      They gotcha by the ying yang
      More dollar for the big bang

      And when you have to have it
      Somehow you always find away,
      You'll find a way
      Then it becomes a habit
      You'll rob your late friend's grave

      It's sex, it's drugs,
      And then we all fall down
      Get hooked,
      On life
      Or join the underground

      It's oil, it's guns,
      Bad guys we never see
      It's war, dead sons,
      Be all that you can be

      Give it a spin
      Maybe you'll win
      Nobody's gettin paid

      Lightin it up
      Shootin it up
      Ya really should be afraid

      You're lookin' for a new chin
      So they tighten up your old grin
      All you wanna do is fit in
      So they're gonna make you real thin

      It's just enough to tease you
      They nail you right between the eyes
      Nail you right between the eyes

      Somehow it will disease you
      While you're lobotomized

      It's meds, it's feds,
      Don't need no PhD's
      Load down, those sounds,
      We love our MP3's

      It's cribs, it's cars
      Mercedes BNZ
      It's abs, it's carbs
      Stop super-sizing me!

      It's sex, it's drugs,
      And then we all fall down
      Get hooked,
      On life
      Or join the underground

      It's crips, it's bloods
      It's pimped out S.U.V.'s
      It's court, prime time
      Those lawyer S.O.B.'s

      It's X, It's crack
      It's glass and A.D.D.
      It's cool, it's wack
      I'll pay you back

      Your kick, you prick
      You get the first one free
      You're cuffed, you're hooked,
      You're hooked
    Mike: Luke seems to channel great ideas effortlessly ideas that the other maestros picked up on and enhanced through their talents and inspiration. One inspired thought begets another with begets another, and that's when you know you're in the company of some blessed and talented individuals

    David: Simon had most of it, so we jammed and had fun. I wrote the basic liryc about prime time addiction. Ian Anderson was nice enough to honor us with a flute solo.

    Bobby: This is a stright-ahead rock song that's in-your-face with a message about things beyond control in your life. Once something takes control of you. It's hard not to say you're Hooked on it. I thought one of the major players on this track was Steve Porcaro because he added so many interesting synth part brought the song to life.

    6. Simple Life

      Days feel so long
      My life seems short as years go by
      The chance that I took
      A feeling so strong I had to try
      All of the pain I left behind
      Been down the road
      My heart has been sold
      The price was steep
      The world that we have
      The wish that we made is ours to keep
      All our emotions are so deep
      'Cause I can't stop falling in love with you

      All I want is the simple life
      All I really want is you
      All I want,
      All I need is a simple life
    Mike: One of the things I always look forward to on a TOTO album - a gorgeous ballad from Steve Lukather. These kind of songs flow out of him like a pure spring. Awesome!

    Greg: Probably my favourite song of whole album. I fell in love with it the first time Luke played it for me. As a songwriter, it's one of those gems that makes you say: "Why didn't I think of that ?"
    Simon: This is all Luke. He came in with the whole song written and a couple of tweaks here and there that was it - it was done !

    Paich:That's pure unadulterated Lukather. Mikey's great Brian Wilson bass line at the end.

    7. Taint Your World

      Screaming at the sun I might have spilled a little moonshine on my head
      Didn't have to run, but there was no one left behind 'cept for the dead
      I didn't see it comin', but that rummy-stilted crackpot knew my game
      Left my head a'hummin', like a ball peen hammer drives a nail to shame

      I suggest you listen up to what I have to say
      Witnessed many crooked things, I smell your DNA
      Stab me, take me down, you know you'll never get your way

      Taint your world
      You're so far away from where you think you need to be
      Taint your world
      Cause you don't want to fuck with me

      Didn't anybody get the cipher from the flying rat machine
      Gnarly, little, scrunched up, tiny fingers, and its disposition mean

      Anybody out of line will soon be on the list
      My back's against the wall and yet I know I must resist
      Time to tell the truth, I think somebody's gettin' pissed

      Taint your world
      You're not even close to where you think you need to be
      Taint your world
      You got another guess comin' if you think you're foolin' me
    Instrumental Break
      Taint your world
      So far away from where you think you need to be
      Taint your world
      Where I belong just like an oyster and a pearl
      Taint your world
      You're not even close to where you think you need to be
      Taint your world
      Taint your world
    Simon: We cut this very live and I think everyone had a hand in this Steve Porcaro added a very interesting slant to the bridge section! This is more how the band sounds at a concert and I wanted to capture a rawness not normally associated witn us. My old British rock roots I guess !!!

    Luke: This is a tribute to our friends Ed and Al Van Flaten. They are very close friends and I had this lick and we just had to cut it. It's sounds like something they might do put it still very TOTO as well. We gotta rock sometimes. Haha. Bobby on Lead and Greg and I on Backgrounds again.

    8. Let It Go

      Staring death between the eyes
      Doesn't seem so far away
      So much pain in long goodbyes
      There is much I need to say

      You've been shadowing my door
      A tempest wind that never dies
      Every sorrow washed ashore
      No more tears to fill my eyes
    Chorus

    Let it go
    Gonna make your life whole
    Let it go

      Time to lose the crooked smile
      Cast your grief upon the ground
      Got no time for vain illusion
      Cause it's killin me inside
    Chorus
      You should know
      It t be the anger you hide
      Your pride
      Maybe someone has stepped on your pride
      Every night
      It'll keep you awake every night when you're old
      Your heart
      Your heart has been painfully bruised
      Something to lose
      You still t have soething to prove
      Let it go
      Is it worth all the time you misues for your sad demise

      When there's vengeance in your heart
      What comes next is up to you
      Better to think before you start
      Or you can dig that grave for two
    Chorus
      You should know
      It t be the anger you hide
      Your pride
      Maybe someone has stepped on your pride
      Every night
      It'll keep you awake every night when you're old
      Your heart
      Your heart has been painfully bruised
      Someone to lose
      You t still have someone to prove
      Let it go
      Is it worth all the time you misuse for your sad demise
    Bobby: What a track the band came up for this one. Greg kills on the vocal in this song. I started the lyrics. but as usual we all find a hand in finishing them all it's one of my fave's on CD.

    Luke: This is a funk-fusion track that could be "son of Jake to the Bone" but has vocals. One of my fave tracks. and it look 2 days write-rehearse and cut as it has some weired and somewhat difficult passages to play. A true TOTO extravaganza.

    Greg: My lead vocal debut. The chorus melody and words "Let It Go" came quite quickly, as I remember. Si-Phi challenged me to come up with and interesting lick in the instrumental section after Luke's solo and when I finally did. Mike and Luke were so pissed when learning it because it's the kind of line that's easier to play on a keyboard as oppused to a guitar.

    9. Spiritual Man

      I heard about a man, walkin' on the water
      He had hope in his eyes
      He didn't wear a crown or have any money
      He didn't have any lies

      He had holes in his pockets
      He had holes in his hands
      He looked like an outlaw talkin' to his lover

      He was a spiritual man

      I wanna be a prince, not a king or a warrior
      I wanna have a special light in my eyes
      Wanna climb up a mountain, find a tree of wisdom
      I wanna feel good when I cry

      And maybe someday I could be a teacher
      I want that karma when you touch my hand
      I'll walk through the streets,
      Talking to the homeless in winter

      I wanna be a spiritual man, yeah

      I heard about a man who was born in the desert
      He rode for days and nights across the sand
      And one day, he came upon an angel
      The angel said, "Hey you, you're gonna be a spiritual man!"
    Instrumental Break
      Last night I saw a man walkin' toward a club in Harlem
      He had a black case in his hands
      Went through the back door and pulled out his gold companion
      He closed his eyes and played all night like a self-taught spiritual man
    Luke: This is a song about finding your way in your heart in these difficult times. One of Dave's best.

    Greg: I remember Dave being particularly excited about this one. He went through several drafts of lyrics, really tooks his time but I love the end result. Love the vocals as well - definitely one of my faves !

    Paich: This was written in the style of a narrative ballad with 4 chords. It was written as a hymn. I wrote the first draft of the lyrics as if I was a jouanalist following Christ around. I wanted to write it in the style of the late Hunter Thompson, The ROLLING STONE writer / poet. Then I decided to expaned the range of the story to include Buddha, Muhammad, Coltrane. Greg and Bobby gave compelling performances. Also Tom Scott and Monet

    10. No End In Sight

      The curse of blood
      Falls upon this nation
      I was my hands
      And hang my head in shame
      I pray for peace
      And forge the crooked valley
      This dreader fear
      Held prisoner inside me
    Chorus

    I search the stars, still I find
    No rhyme or reason
    I can't see a thing
    That's gonna make it right, oh make it right
    You're still walking at midnight
    Alone with voices in your mind
    You see the world in black and white
    You know until you see the light
    There ain't no end, no end in sight

      I can't justify
      The cleansing of society
      The human race
      It ain't no race at all
      I breach the flood
      Of political insanity
      Where hope once stood
      Is filled with lies and shame
    Chorus
    Simon: This was one of the last songs we wrote. I think it took about an hour to compose and then we cut it live. I couple of takes - and that's it. Bobby delivers another killer vocal on this one.

    Bobby: After the track was recorded, Luke and I were discussing the war in Iraq one day. I was in the middle of a few ideas on the lyrics and all of a sudden, in the middle of that discussion, Luke mentined that we had "No End In Sight" with this war. I brought that idea home and worked it until I had the story line. It turned out great and it has a very daunting message.

    Mike: Deals with the days of stress we're living in these times. Go Bubba! Tell it like it is brother!