The BEATLES

With The Beatles
MINI-DOCUMENTARY (Insert into Computer to View)

(1963 / 2009)

1. It Won't Be Long 2'13
(John Lennon / Paul McCartney)
Recorded: July 30, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
SONY / ATV MUSIC PUBLISHING LLC,
2. All I've Got To Do 2'02
(John Lennon / Paul McCartney)
Recorded: September 11, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
SONY / ATV MUSIC PUBLISHING LLC,
3. All My Loving 2'08
(John Lennon / Paul McCartney)
Recorded: July 30, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
SONY / ATV MUSIC PUBLISHING LLC,
4. Don't Bother Me 2'29
(George Harrison)
Recorded: September 11-12, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
UNIVERSAL / DICK JAMES MUSIC Ltd.
5. Little Child 1'46
(John Lennon / Paul McCartney)
Recorded: September 11-12, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
SONY / ATV MUSIC PUBLISHING LLC,
6. Till There Was You 2'13
(Meredith Willson)
Recorded: July 30, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
MPL COMMUNICATIONS Ltd.
7. Please Mister Postman 2'35
(Georgia Dobbins / William Garrett / Freddie Gorman / Brian Holland / Robert Bateman)
Recorded: July 30, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
JOBETE MUSIC (UK Ltd.
8. Roll Over Beethoven 2'45
(Chuck Berry)
Recorded: July 30, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
JEWEL MUSIC PUBLISHING Co. Ltd.
9. Hold Me Tight 2'32
(John Lennon / Paul McCartney)
Recorded: September 12, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
SONY / ATV MUSIC PUBLISHING LLC,
10. You Really Got A Hold On Me 3'01
(John Lennon / Paul McCartney)
Recorded: July 18, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
JOBETE MUSIC (UK Ltd.
11. I Wanna Be Your Man 2'00
(John Lennon / Paul McCartney)
Recorded: October 7, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
SONY / ATV MUSIC PUBLISHING LLC,
12. Devil In Her Heart 2'26
(Richard Drapkin)
Recorded: November, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
UNIVERSAL / MCA MUSIC Ltd.
13. Not A Second Time 2'07
(John Lennon / Paul McCartney)
Recorded: September 11, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
SONY / ATV MUSIC PUBLISHING LLC,
14. Money (That's What I Want) 2'51
(Janie Bradford / Berry Gordy)
Recorded: July 18, 1963 at STUDIO 2, ABBEY ROAD STUDIOS, London, England
JOBETE MUSIC (UK Ltd.

Total Time: 33:08

  • John Lennon - Acoustic Guitar (6, 13), Rhythm Guitar (1-5, 7-12, 14), Harmonica (5), Tambourine (4), Handclaps (8, 9), Lead Vocal (10, 14), Double-Tracked Vocal (1, 7, 13), Vocal (2, 5), Harmony Vocal (11), Backing Vocal (2, 9, 12)
  • Paul McCartney - Bass Guitar (1-9-14), Piano (5), Handclaps (4, 8, 9), Vocal (5, 6, 9), Double-Tracked Vocal (2), Harmony Vocal (11), Backing Vocal (1, 2, 7, 10, 12, 14)
  • George Harrison - Lead Guitar (1-5, 7-9-12, 14), Lead Acoustic Guitar (6), Acoustic Guitar (13), Handclaps (8, 9), Lead Vocal (8, 10), Double-Tracked Vocal (4, 12), Backing Vocal (1-3, 7, 9, 14)
  • Ringo Starr - Drums (1-5, 7-14), Bongos (4, 6), Maracas (11, 12), Handclaps (8, 9), Lead Vocal (11)
  • George Martin - Piano (10, 14),Hammond Organ (11)

    Produced by Produced by George Martin
    Principal Engineer: Norman Smith
    Principal Engineer: Norman Smith
    This Remastered Album has been created from the original stereo analogue Master Tapes.
    Remastered by Sam Okell, Steve Rooke and Guy Massey
    Project Co-ordinator: Allan Rouse
    Historical Notes: Kevin Hovulett and Mike Heatley
    Recording Notes: Allan Rouse and Kevin Howlett
    Front Cover Photograph: Robert Freeman
    Project Management for EMI Records Ltd, Wendy Day and Guy Hayden
    Album Redesign: Drew Lorimer
    Photo Retouching: Gavin O'Neill
    Photo Editing and Research: Aaron Bremner and Dorcas Lynn

    Thanks To Simon Gibson

    All Songs Published by SONY / ATV MUSIC PUBLISHING LLC,
    except Tracks 4, UNIVERSAL / DICK JAMES MUSIC Ltd., 6, MPL COMMUNICATIONS Ltd., 7, 10, 14, JOBETE MUSIC (UK Ltd., 8, JEWEL MUSIC PUBLISHING Co. Ltd., 12. UNIVERSAL / MCA MUSIC Ltd.

    Digital Remaster ©2009
    Artwork ©2009 APPLE Corps Ltd. All photographs © Apple Corps Ltd, except where stated otherwise

    Remaster ©2009 by EMI RECORDS Ltd.
    ©2009 EMl RECORDS Ltd.

    APPLE and PARLOPHONE
    "BEATLES", "APPLE" and the APPLE Logos are Trademarks of APPLE Corps Ltd.

    WITH THE BEATLES

    Fourteen freshly recorded titles—including many sure-fire stage-show favourites—are featured on the two generously filled sides of this record. The BEATLES have repeated the successful formula which made their first 'Please Please Me' LP into the fastest-selling album of 1963. Again they have set eight of their own original compositions alongside a batch of 'personal choice' pieces selected from the recorded repertories of the American R. & B. artists they admire most.
    The first half of the session gets away to a rip-roarin' start with John's powerful treatment of IT WON'T BE LONG NOW. Two more Lennon/McCartney compositions follow with these two remarkably talented tunesmiths handling their own lyrics on ALL I'VE GOT TO DO and ALL MY LOVING. On the first slower number John takes the vocal lead with Paul supplying the harmony. On ALL MY LOVING Paul stands in the vocal spotlight with John and George chanting in the background. Listen to George's superb, slightly Country and Western guitar solo, an intriguing feature of ALL MY LOVING. DON'T BOTHER ME marks the disc debut of George Harrison as a composer. It is a fairly fast number with a haunting theme tune. Behind George's double-tracked voice the rest of the fabulous foursome create some unusual instrumental effects. Paul beats out a lean, hollow-boned rhythm from the claves, John uses a tambourine and Ringo hits out at a loose-skinned Arabian bongo (don't ask me where he picked that up!) to pound out the on-beat percussive drive.
    On a fair number of previous recordings by The BEATLES producer George Martin has joined the group to add suitable piano sounds to their instrumental arrangements. His keyboard contributions come a little later in this new programme but on LITTLE CHILD it is Paul McCartney who plays piano. John and Paul join forces for the vocal on this rocker and, whilst Paul was over-dubbing the piano bits, John was standing beside another microphone adding in some neatly-timed mouth-organ phrases. Those who considered Paul's interpretation of A taste of honey to be a standout attraction of The BEATLES' first LP will be more than pleased to hear him assume the role of romantic balladeer again on TILL THERE WAS YOU, the near-standard hit from the show 'The Music Man'.
    Ringo plays the bongos behind Paul's solo performance. George and John switch to acoustic guitars for this track — only Paul's pulsating bass uses electricity. If you have read a great deal in the musical press about Merseyside's beat basement, The Cavern, you might imagine that the cellar stompers of Liverpool would demand an all-uptempo programme. Curiously Paul's persuasive handling of TILL THERE WAS YOU used to go down extremely well at the club long before the Love me do days when The BEATLES were frequent bill-toppers at this now-famous venue. The first half closes with another number which dates back to The BEATLES' Cavern Club period. Once an American chart-topper for a recording group called The Marvelettes,
    PLEASE MR. POSTMAN features a double-tracked John Lennon with George and Paul in vocal support. Chuck Berry's ROLL OVER BEETHOVEN has been one of the most requested items at recent concert performances by The BEATLES. George duets with himself on this one; the boys add to the atmosphere of active excitement by their handclapping. Paul issues forth with the invitation HOLD ME TIGHT on the fairly brisk second track of Side Two. More handclapping and energetic vocal support from John and George. The boys have an immense admiration for America's rhythmic group The Miracles, to whom they pay tribute via their interpretation of YOU REALLY GOT A HOLD ON ME. John and George tackle the wild, relentless vocal with Paul joining them for the chorus lines. Incidentally that IS George Martin on piano this time!
    Observing the tremendous audience response that Ringo has been getting whenever he sings Boys, John and Paul put their heads together to pen a special new number for their fierce-voiced drumming man. The result is a real raver entitled I WANNA BE YOUR MAN. The Hammond organ in the background is played by John Lennon. Though they are lesser known on our side of the Atlantic than The Crystals or The Shirelles, the American all-girl group The Donays have always commanded plenty of professional respect from The BEATLES. Therefore they switched around the lyrics of DEVIL IN HER HEART and handed this medium-paced beat offering to George Harrison. John and Paul provide the harmony with Ringo using his maraccas. The final Lennon/McCartney composition of this session features a double-tracked John Lennon singing NOT A SECOND TIME. George Martin's piano work is featured on this number and again upon the programme's closing track MONEY. Paul describes MONEY as 'a really big screamer' and he recalls the numerous Cavern Club occasions when this item brought forth the same type of overwhelming response given to Twist and Shout. Much recorded by American blues merchants, MONEY has John shouting the raw lyrics with tremendous .force and feeling whilst George and Paul supply the answers. MONEY makes a completely worthy climax to this knock-out programme. Hope it doesn't leave you too breathless to flip back to Side One for a repeat-play session WITH The BEATLES. Original 1963 cover notes
    TONY BARROW

    With The Beatles

    HISTORICAL NOTES

    With The Beatles was released in the UK on 22nd November, 1963. In the time that had elapsed since their debut album's release in March, The BEATLES had dominated the British pop scene. I Please Please Me topped the album chart for seven months, Twist And Shout became the year's best selling EP and three singles reached number one - 'Please Please Me' (in most charts), 'From Me To You' and 'She Loves You'. The BEATLES' work schedule throughout 1963 was unrelenting with over two hundred concert engagements all over the country, dozens of radio and television shows and their first international tour in Sweden.
    The term 'Beatlemania' was coined by the press to describe the fan hysteria aroused by the group but, as an appearance on The Royal Variety Show demonstrated, their popularity stretched way beyond the teenage market. Casting aside the usual LP formula, none of the fourteen tracks on With The Beatles was released as a single. It also broke new ground for a pop album through its distinctive front cover featuring Robert Freeman's stylish black and white photograph of The BEATLES' faces in moody half-shadow. It was a striking change from the cheery images usually associated with pop music. With The Beatles replaced Please Please Me as the best selling album in the country and, because its weekly sales were so impressive, it was even listed for several weeks on the singles chart. The first LP by British recording artists to sell a million, it was number one for 21 of the 51 weeks it stayed in the Top Twenty. The week after the new album arrived in the shops, The BEATLES released their fifth single 'I Want To Hold Your Hand'. It quickly became their fourth UK number one and was the song that first captivated the USA when it was rush-released on 26th December, 1963. It was soon accompanied by their first Capitol album Meet The BEATLES!, using the same cover shot as With The Beatles but with a different track listing. Five of the six cover versions had been sidelined and substituted with both songs on the first Capitol single 'I Want To Hold Your Hand'/'l Saw Her Standing There' plus the British B-side 'This Boy'. When The BEATLES returned home after a brief but all-conquering visit to the States in early February, Meet The BEATLES! had already begun an eleven week stay at the top of the US album charts. It yielded the number one slot to The BEATLES' Second Album which rounded up the five unused With The Beatles songs and a variety of singles and EP tracks. While American fans were falling in love with songs from the previous year, The BEATLES had already moved on to make their first movie and soundtrack album -A Hard Day's Night ...

    RECORDING NOTES

    With The BEATLES took longer to make than the previous album Please Please Me but, even so, its fourteen songs were recorded in just 28 hours spread over six days. The sessions with George Martin were squeezed into The BEATLES' hectic 1963 schedule between 18th July and 23rd October. As with their previous discs, all the songs were recorded on twin-track tape machines and overdubbing frequently revealed the inconvenience of that technology. The need for more tracks was particularly apparent during the recording of 'Money'. Overdubbing using twin-track machines was achieved by copying the first recording to another tape while at the same time adding more instruments or vocals. 'Money' required this process to be repeated yet again onto a third tape. But before the album was completed, a session for their next single marked the beginning of a new phase of Beatles studio work. 'I Want To Hold Your Hand' and 'This Boy' were recorded on a four-track tape machine, which allowed much greater flexibility. After With The Beatles the group never returned to twin-track recording. In addition to the extra vocal and instrumental overdubs for the album, there was another reason for the greater time spent on the second album. With their confidence growing in the studio, if they thought their performance could be improved or might benefit from a new arrangement, they would abandon a recording after several takes and start afresh on another occasion. As their music progressed and studio time became more plentiful, Beatles re-recordings were much more frequent. Indeed, the contrast between the sessions for their early and late sixties albums is remarkable. As their arrangements grew more complex, the hours needed to finish one song could sometimes equal the studio time spent making their first two albums in 1963. With The Beatles was released at a time when mono was the preferred format and stereo records sold to a small number of hi-fi enthusiasts. The twin-track recordings formed the basis of this stereo album buttheir original purpose was to achieve a good balance between the instruments recorded on one track and the vocals on the other when creating the final mono master.




    1. It Won't Be Long

      Ev'ry night when ev'rybody has fun,
      Here am I sitting all on my own,
      It won't be long yeh, yeh,
      It won't be long yeh, yeh,
      It won't be long yeh, yeh,
      Till I belong to you.

      Since you left me I'm so alone,
      Now you're coming, you're coming home,
      I'll be good like I know I should,
      You're coming home, you're coming home.

      Ev'ry night the tears come down from my eyes,
      Ev'ry day I've done nothing but cry.
      It won't be long yeh, yeh.

      Since you left me I'm so alone,
      Now you're coming, you're coming home,
      I'll be good like I know I should,
      You're coming home, you're coming home.

      Ev'ry day we'll be happy, I know,
      Now I know that you won't leave me no more.
      It won't be long yeh, yeh.

    2. All I've got to Do

      Whenever I want you around, yeah.
      All I gotta do,
      Is call you on the phone,
      And you'll come running home,
      Yeah, that's all I gotta do.

      And when I, I want to kiss you, yeah.
      All I gotta do,
      Is whisper in your ear
      The words you long to hear,
      And I'll be kissin' you.

      And the same goes for me,
      Whenever you want me at all.
      I'll be here, yes I will, whenever you call.
      You just gotta call on me, yeah,
      You just gotta call on me.

      And when I, I want to kiss you, yeah.
      All I gotta do,
      Is call you on the phone,
      And you'll come running home,
      Yeah, that's all I gotta do.

      And the same goes for me,
      Whenever you want me at all.
      I'll be here, yes I will, whenever you call.
      You just gotta call on me, yeah,
      You just gotta call on me.

    3. All My Loving

      Close your eyes and I'll kiss you,
      Tomorrow I'll miss you;
      Remember I'll always be true.
      And then while I'm away,
      I'll write home ev'ry day,
      And I'll send all my loving to you.

      I'll pretend That I'm kissing
      the lips I am missing
      And hope that my draems will come true.
      And then while I'm away,
      I'll write home ev'ry day,
      And I'll send all my loving to you.

      All my loving I will send to you.
      All my loving, darling I'll be true.

    4. Don't Bother Me

      Since she's been gone I want no one to talk to me.
      It's not the same but I'm to blame, it's plain to see.

      So go away, leave me alone, don't bother me.

      I can't believe that she would leave me on my own.
      It's just not right when every night I'm all alone.

      I've got no time for you right now, don't bother me.

      I know I'll never be the same if I don't get her back again.
      Because I know she'll always be the only girl for me.

      But 'till she's here please don't come near, just stay away.
      I'll let you know when she's come home. Until that day,

      Don't come around, leave me alone, don't bother me.

      I've got no time for you right now, don't bother me.

      I know I'll never be the same if I don't get her back again.
      Because I know she'll always be the only girl for me.

      But 'till she's here please don't come near, just stay away.
      I'll let you know when she's come home. Until that day,

      Don't come around, leave me alone, don't bother me.
      Don't bother me.
      Don't bother me.
      Don't bother me.
      Don't bother me.

    5. Little Child

      Little child, little child,
      Little child, won't you dance with me?
      I'm so sad and lonely,
      Baby take a chance with me.

      If you want someone
      To make you feel so fine,
      Then we'll have some fun
      When you're mine, all mine,
      So come, come on, come on.

      Little child, little child,
      Little child, won't you dance with me?
      I'm so sad and lonely,
      Baby take a chance with me.

      When you're by my side,
      You're the only one,
      Don't run and hide,
      Just come on, come on,
      So come on, come on, come on.

    6. Till There was You

      There were bells on a hill
      But I never heard them ringing
      No I never heard them at all
      Till there was you

      There were birds in the sky
      But I never saw them winging
      No I never saw them at all
      Till there was you

      Then there was music and wonderful roses
      They tell me in sweet fragrant meadows of dawn and you

      There was love all around
      But I never heard it singing
      No I never heard it at all
      Till there was you

      Then there was music and wonderful roses
      They tell me in sweet fragrant meadows of dawn and you

      There was love all around
      But I never heard it singing
      No I never heard it at all
      Till there was you

      Till there was you

    7. Please Mister Postman

      Wait, oh yes wait a minute mister postman
      Wait, wait mister postman

      Mister postman look and see
      You got a letter in your bag for me
      I been waiting such a long time
      Since I heard from that girl of mine

      There must be some word today
      From my girlfriend so far away
      Please mister postman look and see
      If there's a letter, a letter for me
      I been standing here waiting mister postman
      So patiently
      For just a card or just a letter
      Saying she's returning home to me

      So many days you passed me by
      See the tear standing in my eye
      You didn't stop to make me feel better
      By leaving me a card or a letter

      You gotta wait a minute, wait a minute
      You gotta wait a minute, wait a minute
      You gotta wait a minute, wait a minute
      You gotta check it and see, one more time for me

      Wait
      Wait
      Wait
      Deliver the letter, the sooner the better

      Wait

    8. Roll Over Beethoven

      Well gonna write a little letter
      Gonna mail it to my local D.J.
      It's a rockin' little record
      I want my jockey to play
      Roll over Beethoven
      I gotta hear it again today

      You know my temperature's risin'
      And the jukebox's blowin' a fuse
      My hearts beatin' rhythm
      And my soul keeps singing the blues
      Roll over Beethoven
      And tell Tchaikovsky the news

      I got a rockin' pneumonia
      I need a shot of rhythm and blues
      I think I got it off the writer
      Sittin' down by the rhythm review
      Roll over Beethoven
      We're rockin' in two by two

      Well if you fell you like it
      Well get your lover and reel and rock it
      Roll it over and move on up
      Just jump around and reel and rock it
      Roll it over
      Roll over Beethoven
      A rockin' in two by two , oh

      Well early in the mornin'
      I'm a givin' you the warnin'
      Don't you step on my blue suede showes
      Hey little little
      Gonna play my fiddle
      Ain't got nothing to lost
      Roll over Beethoven
      And tell Tchaikovsky the news

      You know she winks like a glow worm
      Dance like a spinnin' top
      She got a crazy partner
      Oughta see 'em reel an rock
      Long as she's got a dime
      The music will never stop
      Roll over Beethoven
      Roll over Beethoven
      Roll over Beethoven
      Roll over Beethoven
      Roll over Beethoven
      And dig these rhythm and blues

    9. Hold Me Tight

      It feels so right now, hold me tight,
      Tell me I'm the only one,
      And then I might,
      Never be the lonely one.
      So hold me tight, to-night, to-night,
      It's you,
      You you you - oo-oo - oo-oo.
      Hold me tight,
      Let me go on loving you,
      To-night to-night,
      Making love to only you,
      So hold me tight, to-night, to-night,
      It's you,
      You you you - oo-oo - oo-oo.
      Don't know what it means to hold you tight,
      Being here alone tonight with you,
      It feels so right now, feels so right now.
      Hold me tight,
      Tell me I'm the only one,
      And then I might,
      Never be the only one,
      So hold me tight, to-night, to-night,
      It's you,
      You you you - oo-oo - oo-oo.
      Don't know what it means to hold you tight,
      Being here alone tonight with you,
      It feels so right now, feels so right now.
      Hold me tight,
      Let me go on loving you,
      To-night, to-night,
      Making love to only you,
      So hold me tight, to-night, to-night,
      It's you,
      You you you - oo-oo - oo-oo.

    10. You Really Got a Hold on Me

      I don't like you
      But I love you
      See that I'm always
      Thinking of you
      Oh, oh, oh,
      You treat me badly
      I love you madly
      You've really got a hold on me
      You've really got a hold on me, baby

      I don't want you,
      But I need you
      Don't want to kiss you
      But I need you
      Oh, oh, oh
      You do me wring now
      My love is strong now
      You've really got a hold on me
      You've really got a hold on me, baby

      I love you and all I want you to do
      Is just hold me, hold me, hold me, hold me

      I want to leave you
      Don't want to stay here
      Don't want to spend
      Another day here
      Oh, oh, oh, I want to split now
      I just can quit now
      You've really got a hold on me
      You've really got a hold on me, baby

      I love you and all I want you to do
      Is just hold me, hold me, hold me, hold me

      You've really got a hold on me
      You've really got a hold on me

    11. I Wanna Be Your Man

      I wanna be your lover baby,
      I wanna be your man,
      I wanna be your lover baby,
      I wanna be your man.
      Tell me that you love me baby,
      Like no other can,
      Love you like no other baby,
      Like no other can.
      I wanna be your man,
      I wanna be your man.
      Tell me that you love me baby,
      Tell me you understand,
      Tell me that you love me baby,
      I wanna be your man.
      I wanna be your lover baby,
      I wanna be your man,
      I wanna be your lover baby,
      I wanna be your man.
      I wanna be your man,
      I wanna be your man.
      I wanna be your lover baby,
      I wanna be your man,
      I wanna be your lover baby,
      I wanna be your man.
      Tell me that you love me baby,
      Like no other can,
      Love you like no other baby,
      Like no other can.
      I wanna be your man,
      I wanna be your man.

    12. Devil In Her Heart

      She's got the devil in her heart
      But her eyes they tantalize
      She's gonna tear your heart apart
      Oh her lips are really thrilling

      I'll take my chances
      for romance is
      So important to me
      She'll never hurt me
      She won't desert me
      She's an angel sent to me

      She's got the devil in her heart
      No, no, this I can't believe
      She's gonna tear your heart apart
      No, no nay will she deceive

      I can't believe that she'll ever ever go
      Not when she hugs and says she loves me so
      She'll never hurt em
      She won't desert me
      Listen can't you see

      She's got the devil in her heart
      Oh, no, no, no, this I can't believe
      She's gonna tear your heart apart
      No no nay will she deceive

      Don't take chances if your romance is
      So important to you
      She'll never hurt me
      She won't desert me
      She's an angel sent to me

      She's got the devil in her heart
      Oh, no, no, no, no this I can't believe
      She's gonna tear your heart apart
      No, no nay will she deceive

      She's got the devil in her heart
      No she's an angel sent to me
      She's got the devil in her heart
      No she's an angel sent to me

    13. Not a Second Time

      Yoy know you made me cry,
      I see no use in wond'ring why,
      I cried for you.

      And now, you've changed your mind,
      I see no reason to change mine,
      I cried, it's through, oh.

      Oh, you're giving me the same old line,
      I'm wond'ring why,
      You hurt me then, you're back again,
      No, no, not a second time.

    14. Money (That's What I Want)

      The best things in life are free
      But you can tell me 'bout the birds and bees.
      Now gimme money THAT'S WHAT I WANT
      That's what I want THAT'S WHAT I WANT
      That's what I want, ye-ye-yeh,
      That's what I want.

      Money don't get everything it's true.
      What it don't get I can't use.
      So gimme money THAT'S WHAT I WANT
      A little money THAT'S WHAT I WANT
      That's what I want, ye-ye-yeh,
      That's what I want.

      Yeh gimme money THAT'S WHAT I WANT
      A little money THAT'S WHAT I WANT
      That's what I want THAT'S WHAT I WANT
      So gimme money THAT'S WHAT I WANT
      That's what I want, ye-ye-yeh,
      That's what I want.

      Your lovin' give me a thrill
      But your lovin' don't pay my bill.
      Now gimme money THAT'S WHAT I WANT
      That's what I want THAT'S WHAT I WANT
      That's what I want, ye-ye-yeh,
      That's what I want.

      Money don't get everything it's true.
      What it don't get I can't use.
      So gimme money THAT'S WHAT I WANT
      A little money THAT'S WHAT I WANT
      That's what I want, ye-ye-yeh,
      That's what I want.

      Yeh gimme money THAT'S WHAT I WANT
      A little money THAT'S WHAT I WANT
      That's what I want THAT'S WHAT I WANT
      So gimme money THAT'S WHAT I WANT
      That's what I want, ye-ye-yeh,
      That's what I want.