The TANGENT


A Place In The Queue

(2006)



1. In Earnest 20'03
Words & Music - Andy Tillison
2. Lost In London 8'08
Words - Andy Tillison
Music - Andy Tillison & Guy Manning
3. DIY Surgery 2'17
Music - Theo Travis
Words - Stephen C. Middleton
4. GPS Culture 10'08
Words & Music - Andy Tillison
5. Follow Your Leaders 9'22
Words & Music - Andy Tillison
6. The Sun In My Eyes 3'44
Words & Music - Andy Tillison
7. A Place In The Queue 25'14
Music - Theo Travis
Words by Andy Tillison
Music by Andy Tillison & Theo Travis

Total Time: 78:56


  • Andy Tillison - Organ, Moog Synthesizers, Piano, Less Good Guitars & Principal Vocals
  • Sam Baine - Piano, Synthesizers & Vocals
  • Guy Manning - Acoustic Guitars, Mando-bioody-iin, Assorted Overdubs & Vocals
  • Krister Jonsson - Electric Guitars
  • Theo Travis - Soprano & Tenor Saxophones, Flute, Aito Flute, Clarinet, Recorders, Vocals
  • Jonas Reingotd - Bass Guitar
  • Jaime Safazar - Drums

    Special Guest:

  • Dan Watts - Electric Guitars (Track 4)

    Produced & Engineered by Andy Tillison - Diskdrive and Jonas Reingoid
    Co-Production - Theo Travis & Guy Manning
    Mastered by Paul Brow at
    PROJECT SYSTEMS, Leeds UK
    Recordings Made between January - September 2005
    Artwork by Ed Unitsky
    Co-ordination by Ian Oakley
    Layout by
    MBL MUSIC & MUTIMEDIA& Ed Unitsky
    Exclusive Management:
    PROGJAM

    The TANGENT would like to Thank:
    Roine Stoit, Zoltan Csorsz, Ian & Julie Oakley, Adam Welch, Michael Gardiner, Paul Brow, Dirk Jacob and all The INSIDE OUT crew, Martin Neilson, Brian Dorbuck, Dan Watts, Ed Unitsky, Inge Reingoid, PROGRESSIVE SOUNDSCAPES, DELICIOUS AGONY (and all PROGRESSIVE INTERNET RADIO) and Ludo from The BELGIAN AIR FORCE for their help.

    Special Thanks To:

    Dr. Robert Moog whose innovation and belief has brought so many of us pleasure for over 30 years

    This Record is for Gwennie Gardiner.

    The First of the New Believers ?

    The TANGENT website features information and news about the band, it can be found at

    thetangent.org

    This album is, kind of, a double LP on one single CD.

    The TANGENT recommend you take a break.

    Recorded and nearly died for at MBL STUDIOS - Aveyron, France.
    REINGOLD STUDIO - Maimo, Sweden
    Burnside, Leeds UK and Paper Street, Wetherby UK


    What Goes Around Comes Around,
    We Were In Tokyo On Tour" begin the sieevenotes to Yes' 'Tales from Topographic Oceans", and Çîë Anderson recounts that in the few spare moments he had before they went on stage he was '"leafing through Paramhansa Yoganada's "Autobiography of a Yogi" and got caught in a lengthy footnote (about the Shastrtc Scriptures) st the bottom of page 83." This was the spark of inspiration for the great piece. As a member of a band myself,:; I've never had time to leaf absent-mindedly through the current "Mojo" before going onstage, and I always found that r little story incredible, yet plausible given the nature of the man who wrote it

    So Our Sieevenotes begin thus.......
    I was on a bus in Leeds, and it was raining, I was 14 years old, and we were stuck in a traffic jam on-the north side of
    Headingley, Leafing through the sieevenotes of af\ alburn I'd just purchased, I found references to being on tour in Tokyo, reading "Autobiographies of Yogis", "The Shastrtc Scriptures", "Candlelit Sessions" (The mind boggles at what they did), and many other things of interest to me at the time, and indeed, ever since, I guess I had a bit of an experience on that bus and à hadn't even heard the album yet. In the following few weeks as I got to know and love the music that these men had made for me, it became apparent that lots of other people who were paid to write about music at the time were not sharing my enthusiasm for the album. Indeed, since the album was released 30 odd years ago (at time of writing) I've scarcely seen a good word penned about it by anyone outside the converted world of progressive rack. The BBC referred to it as "Folly" on their "Caped Crusaders" retrospective, I've seen it described as "pretentious", "over long", "pompous" and even "conceited". Never (as I see it) as "ambitious", "imaginative" or "downright f**"*ing inventive from the off"- Most of those who do rag ;..ft, have never heard it, never given it a chance. Somewhere: between the Bus Stop at Lawnswood and Otley Bus Station I think it entered my head that one day I might make an album like that

    Well .... not quite. I don't mean to imply that this is the "New Tales From Topographic Oceans'. That would be conceit indeed
    Rather, should I say that for me, it was a major inspiration in writing this album. 1 haven't based it on the Autobiography of anyone, let alone Yogis, and it isn't four long songs... (it's two long songs and a few, ahem,.., short ones.) Oh, and it doesn't sound iike Yes. (Ok, maybe it does from time to time, but not ail of it.) On the previous Tangent albums we have conscientiously tried to make progressive music that should satisfy those who enjoyed the genre during its heyday. We've observed rules and conventions, and used stylistic references all over the place. Indeed, the same is true here too.
    The trouble is that the bands of the original period could do what they wanted because they were defining "Progressive Rock as they went along, and those very rules and conventions simply did not exist at the time... that's what made the music so goddamn interesting. Nowadays if we veer too far away from the original blueprint, it's as though we're somehow going "off topic".
    So be warned, we do go a bit "off topic" here. We've tried to use our imagination, and our feeling to make a new age Progressive Rock album. All we ask is that you give it the time it deserves, this probably won't be a first time "Winner".
    It's hoped that it will grow on you, like Tales, Lamb, Pawn Hearts and Unfold did on me, concept and all.

    So what's the concept for this album ? .... man ?
    Well, er.. we were in Germany on Tour. In a few quiet moments before we went on stage I was chatting with an American Journalist friend who commented that our place in society is like a place in a queue. I remember him saying that we're ail just taking handouts from the people in front of us, and thus end up following them in order to keep the handouts.
    I correctly presumed that the President of the USA and his kind were at the front of the queue.
    "So who?" I asked, "Is George Taking the handouts from then ?"
    "Oh that's easy" he replied, "The Queue's a circle. He's taking from the back" Since then I've tried to write a loose conceptual album, and as It turns out it's more about blithely 'following", than actual Queue. Following orders, traffic signs, GPS units, Religions, Leaders, Traditions and more. So yeah, it's the usual Andy Tillison Pinko-Uberai-pseudo-Hammiil-depressing stuff. But with a bit more optimism than sometimes ...

    Making this album has been, in itself, an adventure, 7 band members and many helpers have worked on this album across oceans and other impressive sounding long distances. Guy and Theo flew to France, Theo flew to Sweden, I rode 2000 km on a motorcycle from the South of France to Mafmo in Sweden (and got hit by a lorry in Belgium). Jonas came downstairs a few times, and we've been telephoning each other nearly every day for .10 months. We wanted this album to be such an experience for ourselves, so we made the adventures happen. It wasn't quite "fitting the studio with mechanical cows to get a countryside feel" but it seemed to work for us.

    For me, music has always been an adventure, a place where you can temporarily leave your place in the queue. "Tales" has for years been for me a kind of Secret Garden where I can go for 80 minutes and lose myself in such adventures.
    I guess I've tried to write a piece that may give that kind of pleasure to someone, and whether it does or it doesn't is now up to you. Suffice to say that, with my best intentions, here Gwennie are the keys to your garden. I hope you will come back often.

    NOTE to people browsing through their Parents' (or Grandparents') CD collection:

    You've just hit gold. Not right on target perhaps, but if you look a bit further to the right, you'll find a CD with a similar cover to this one. It's a lovely dark blue, with some fish swimming round some stones, and a landscape with distant pyramids and stars. Play that one. You NEVER heard anything like it.

    Love and peace, Andy Tillison Diskdrive, October 2005





    1. In Earnest

    i. The Radio Amateur
      Keying his mic' as he searches for life,
      A gentle old man sits alone In the dark,
      He's scanning the waves,
      Looking for memories he can share.

      His correspondents collect him like stamps,
      Adding his callsign to their trophies and maps,
      And none of them wonder just who it is they're talking to,
      None of them think to ask the kind of man he was.......

      "I was a pilot, in a war long ago
      and it ail seemed to matter way back then....."

      And now and then he feels the ground-rush,
      As his plane hits the air,
      Or feels his ground crew rally round him once again.

    ii. Worthy Of Memory (part one)
      He remembers everything about flying Spitfires, sending Morse,
      The crackle of the radio, the tension of the news reports,
      He flew to save his people !
      His people do not want to know him now.

      He remembers every detail about those sand-bagged days,
      But every chapter that came after, vanishes in blurry haze,
      He has no great love story, just medals and a glory, gone for good.
      He gave his youth - just like he should,

    iii. Demobilized
      He demobbed in 1945 as the world he'd fought for came alive,
      He looked for his friends to find that most of them had gone.
      He scanned the radio the next few years, until the last ones disappeared,
      When no-one was left, our Earnest looked to pastures new, from his viewpoint
      A mile above the ground,
      He looked down on his oyster, green and blue.

    iv. Dehumanize
      He sits in a hundred countries, counting off his latter years, while... Leaders sit in panelled War-Rooms, fuelled by their peoples' fears,
      ThfU/'ll ÏïÍ tzrv òýò/ injillinn
      They'll find so many willing,
      So many, ready to do what he has done

    v. Flights of Fancy
      He rembers smoky jazz bars in the years after the war,
      The feeling of nostalgia was creeping up and taking over.

      And after that it all just seemed the same,
      How could he ever equal it again?

      And in his flights of fancy he's still the captain of his crew
      His navigator on the double bass?
      Is that Lofty up there with him too ?
      But it all came down so fast,
      And this bebop won't last
      And in hts flights of fancy he never even left the RAF.
      It all came down so fast, and
      Earnest only has the past,
      He's a hero in November
      But all year long he's last in the Queue

    vi. Worthy Of Memory part 2
      He remembers something - about a motorbike in Lincolnshire ?
      A rally - for Ham Radio ?, his kids on a trip ?, to Brighton Pier ?
      His heart is in the 40's
      His roaring engines still sport his name ....
      In Earnest, we all had a friend.

    vii. The Silent Key (Instrumental)
      ( instrumental )

    viii. Earnest Dreams of 617
      Lifelong memories as he hits the dam
      of Bouncing Bombs and slide rules,
      Radio cans .....
      It's Earnest in the cockpit and he'il never know
      A moment to compare with this one,
      On the Earth.... below

    ix. Some Crazy Old Guy
      Sipping his pint as he sits at the bar
      A lonely old man sits alone with his thoughts
      Around him we buzz, and never notice that he's there.
      He's in the way when we order our drinks,
      He's there every night of the week,
      Some Crazy Old Guy who tells those stories all the time......

      ... But he's not with us, he's miles away from here, In the only past we gave him worth his thoughts.
      So we'll never see his Spitfire as it makes its final roll,
      And we'll never learn the lessons he was taught.

    x. In Earnest
      Don't leave me nostalgic for the wrong things in my life,
      I don't want adventures among your grand designs of war!
      I'll take a clear morning with the wind in my hair,
      I beg you, In Earnest, for nothing more.

    2. Lost In London.
    A true story from 1987

      I ended up in London several hours ahead of time,
      In the small hours of the morning and they'd even closed the Circle Line
      I'd hitch-hiked it in one lift! The kind of trip of which;you dream
      Until one day you don't need it, then you get it ! ... so it seems !

      I wandered in from Acton, even passed the BBC,
      Imagining that one day they'd all be interviewing me,
      I've got a rendezvous this morning with Virgin A & R:
      I'm a hopeful with a bag of tapes, and Shank's Pony for a car.

      I'm a Yorkshire Kid in London - and I need lots of space
      Winding roads and open fields you don't have in this place,
      I'm here to see your empire, is it true what I have heard ?
      You've got more people here than Sweden,
      But it's the loneliest place in the world.

      Found an "all-night-cafe" but
      I didn't stay too long, I didn't have much money (besides, this was someone else's song)
      I saw the aisles of Knightsbridge, I even gigged the Albert Hall !
      But in all the hours of wandering, talked to nobody at all.

      McEnroe was losing, for the first time which seemed - wrong !
      And the Virgin guy was watching while he listened to my songs,
      I don't know if he heard them with so much drama on the screen,
      But I didn't sign a contract, - it was Andy: "Love-Fifteen!!"

      I was a Yorkshire Kid in London, I didn't understand,
      All the chaos and the "MIND THE GAP!!!" in your gold-paved business land,
      I was so small you could have eaten me and never sensed the taste, . é
      I was David, you - Goliath,
      But my stones just went to waste.

      ( instrumental ... )

      At Brent Cross Shopping Centre, thumb pointing up back home,
      A wiser man is waiting for some kindly soul to pull over,
      I end up with protesters, who tried to stop a war,
      But they went ahead and fought it, and I guess to me that matters more.

      We're all Yorkshire Kids in London when it comes to being heard,
      We give our all but no-one hears or notices one word,
      And though a million voices tell us not to go and take Iraq,
      We still went in, and we still haven't come back.

      ( poignant instrumental )

    AUTHOR'S NOTE to "Lost London".
    This song was written in January' 2005 in France, based on experiences I had as a young musician during the early 1930s.
    There was a war in the Faiklands at the time, and no-one was listening to the protesters then - just as in 2003 no-one listened to my son when he hitch-hiked to London to take part in the Iraq war protests. It's a song about no-one listening to you. Six months after completing the song, some other Yorkshire Kids went to London and started killing people,
    If anyone is the least bit concerned that somehow this song advocates my approval their actions then please read It (and "Follow Your Leaders") again.
    Many of my friends have suggested that I should change the lyrics to this song - but I feel that had I done so I would have let foiiy win, again.
    I wanted this song to bring a smile to people's faces, but even that small pleasure has been tainted by stupidity and a crass belief in "being right"
    I shall let another, infinitely more wise man have the final say: "When I despair, I remember that all through history the ways of truth and love have always won. There have been tyrants, and murderers, and for a time they can seem invincible, but in the end they always fall. Think of it - always".
    - Mahatma Gandhi

    3. D.I.Y. Surgery

      Some days it almost seems as if I could operate on myseif
      Nurse! The screens!
      I could scrape barnacles from connective tissue
      Open up, clear off the muck
      In a trice I could slice myself back to health
      Reach in to shave blisters off aching muscles
      Breathe life into anaemic corpuscles
      Smooth out crevices, no waiting lists, no fuss

      (Ahhh ..) Releasing all the tension on which cluster headaches play
      Soothe creaking joints, just anoint with gentle balm
      Police the flashpoints, keep them from harm
      And wipe the pain away
      Pop back keystone vertebrae
      With my very own keyhole surgery

      A quick Op, then dancing - all day
      Dancing alt day, dancing all day

      Do it yourself, do it yourself
      Do it yourself, do it yourself

    4. G.P.S. Culture

      Through seas of eountiess choices Ãò chosen once again.
      To fill the air with crafted sound.....
      You give me space, in your space, a window in your time,
      At a level which your soul allows

      But when I look around,
      We seem tired of all this ....

      We flick the GPS on now to find our pastures new.
      Follow directions on the screen,
      And find our way to something we never knew was there,
      And keep it on our machines.

      But when I look around,
      We seem tired, uninspired by all we have to choose,
      And each day there are more new people at the door,
      They wave their products in our faces,
      We've heard it all before!

      Through dislocating TV and the glossy-printed word,
      We sample culture in small spoons,
      We think we know that riff but where in the world ?
      Did we ever hear that nagging tune?*

      But when I look around,
      We seem tired, uninspired by all we have to choose,
      And each day there are more new people at the door.
      They wave their products in our faces,
      We've heard it all before!

    * During the writing of this song, band members spotted at least 5 tunes including "Whistle while you work", the-Easterners theme tune and an advertising jingle for "PC World'' in this song.

    5. Follow Your Leaders

      Ten million people who all want to see.the same movies
      Ten million more who buy the same brand of shampoo
      A whole generation just follows its leaders
      Wearing the logos and pledging allegiance
      To a culture that's spiralling into (and out of) control
      As our leaders take hold

      With Oscars and Nobeis we hand out our thanks to the famous
      With Pulitzers, Grammys we give our plaudits to our peers
      Make governments from a few distinct choices
      Create new methods to siience our voiceis
      Hand over our own thoughts to systems we cannot control
      And it's time to take hold

      Billions of people with faith in some power almighty
      Biiiions of others who call the same thing a different name
      Then everlasting wars to follow the leaders
      To satisfy their whims and the lies that they feed us
      On a planet where there's enough wrong
      To keep us busy for years

    6. The Sun In My Eyes

      Let me tell you about a place I. knew
      Where the fields were green and the skies were blue
      In middle class suburbia with a swimming pool
      And all the other trappings of a public school

      I'd get a size-6-rugby in my face
      For not liking games that much and "being out of place
      Or get my head kicked in for liking Yes
      Instead of Suzi Quattro, or The Rubette
      But they didn't realise that the Sun Was In My Eye

      All the instruments were out of tune
      Except a grand piano in a forbidden room
      Which is of course where I spent all my days
      Except when writing lines because I'd disobeye

      And the media kick our faces again
      Bill Bailey takes the piss from us on "Prog Top Ten"
      Class discrimination's gone, (little by little
      Unless you happen to be the man in the middle
      it they didn't realise that the Sun Was In My Eye
      "Nous Sommes De Soletl"
      We Love When we Play" - Jon Anderson, 1977

    7. A Place In The Queue

    i. Silent Screams
      ( instrumental )

    ii. Two For The Queue (part one)
      You'd been alive for thirty minutes when you filled in your first form,
      With blood taken from your left heel just to prove that you were born,
      And they filed away the papers and you took your place in the queue.

      Through the years of quiet childhood they plotted out your fate.
      They had you on their system, there was no hurry, they could wait !
      So by the time you'd finished schooling,
      You'd learned your place in the queue.

      Shaping the line into order, filtering the ones who will rule,
      Positioning their appointed marshalls,
      In the churches, the youth clubs and schools ...

      They were there when you got busted and they now have prints to say,
      That you spent three weeks in the U.S. and you stole a coat from C&A
      They can look you up at any time,
      And gauge your place in the queue.
      I walk this world as a number,
      No face, no name, no character, no point of view,
      And they tick me off and file me and save me to their drives,
      But never know completely why or who ....

      ( Spectacular Saxophone Solo )

      I walk this world as a number,
      A statistic in the spreadsheet on the pile,
      I interact with others who they let cross my path,
      We entertain each other for a while.

    iii. Shaping The Line
      ( instrumental )

    iv. Heirarchies
      In every situation there's a heirarchy,
      Someone IN CHARGE, some ladder to climb,
      From collecting stamps to national government,
      there's always a front and a back of the line.

      You may say that you're immune,
      The worid dances to your tune,
      But be honest, is that your name on the score ?

      The mastermind "dons" of the East-End gangsters,
      The president of your local Round Table Club,
      The man who represents you on the local council,
      The technician who controls your local network hub. (No offence Adam)

      And you may try to "break on through",
      It's sometimes good, but when you do,
      You just find yourseif moving one place up in the queue.

    v. The Escher Staircase
      You could walk that Escher Staircase.
      Or push the Sysyphean Stone,
      You could stand on bridges, screaming,
      For a place to call your own,
      or you could call it "fiction",
      (feel the roughness of the sands of time in your hands again)
      Give no heed to false position,
      (Stand and observe ail the colours and the feelings in these lands again)

      You might never find the goaf that you were hoping for,
      You might search for rites of passage but never see the door,
      Outside the world is waiting, bated breath, for any words that you have to say
      While you sit contemplating the queue and the problems that face your world today.

      And far away in a (and we built when we were younger.
      Our dreams stand tall and our hopes still flare with youth,
      But we sold them, we sold them all for the price of a B.M.W,
      Adding our names to the spreadsheet and
      Taking our place in the queue.

      Take on board the lying commercials, the promises of kings,
      We're inviting the ver/ virii that hold our feelings, in.
      Or we couid take the high road, look down on the cheating and the con-men,
      Who've held our lives so long,
      or we could "Do As We're Told".
      Wait in line forever, until the end of our life's little song.

    vi. An 'elping hand
      ( instrumental )

    vii. Two For The Queue (part two)
      Fools and politicians, paupers, Kings ano Popes,
      All guided to their futures by the eternal purple ropes,
      Taking castoffs from the man in front and
      Passing them back down the queue

      I walk this world as a number
      A statistic in the spreadsheet on the pile,
      I interact with others who they let cross my path,
      We entertain each other for a while.

    viii. The Escher Staircase
      ( eprise )