All Compositions Written by Chick Corea and Published by CRYSTAL SILENCE MUSIC / BMI
Recorded and Mixed at MAD HATTER STUDIOS, Los Angeles, California
Tone Poem
Part 1 is their wildness; Part 2 their deviousness: Part 3 their head-hunting.
City Of Brass
Queen Tedmur
El Stephen
Stevie Jebson-later El Stephen, is the main character who takes us through the story. He starts off as a thin, timid boy but eventually discovers-out of necessity-a part of himself that is strong, valiant and courageous.
King & Queen
"You are happy, my master ?" she said, eyes adoringly upon him.
"I am bappy. my queen", said El Stepben.
"I am content".
Moseb The Executioner
North Africa
Flight From Karoof
Planes Of Existence
" .. We are attempting interplane coexistence; that is to say. transit between degrees of existence ...
and any one of the countless others which coexist with us, perhaps static hut more likfly similar to our own. That there are such planes there can be no doubt".
Arabian Nights
Gods & Devils
"You were in her chamber ? By the gods and devils, my friend, you must be a magician.
But you seem to be human. No forgive me. Of course you are human.
But I do not understand how you could have seen her". Hubert Laws appears courtesy of SAVOY / DENNON RECORDS.
Jorge Pardo appears courtesy of flamencodigital.com.
Airto Moreira plays Odery drums from Brazil, Zildjian cymbals and Vic Firth drumsticks.
If you would like to communicate with Chick Corea please write to:
Management ¤ Bill Rooney Chick COREA PRODUCTIONS
Booking Agency ¤ Ted KURLAND ASSOCIATES
Acknowledgement ¤ This recording is graced with amazing talent and creativity.
Production ¤ Emanuele Ruffinengo is a genius in the art of recording. He was my mirror for many musical ideas. He also helped me create the keyboard sounds and sequences that I was searching for.
Technical Notes ¤ The original recording of "City Of Brass" was an improvisation by Hossam and myself,
just tabla and piano, one time through. Hossam really set the mood of Arabia and I improvised to his infectious rhythm.
The rest of the parts were added afterwards.
After our first night improvising, and keeping Hossam's feel in mind,
I then wrote, "Flight From Karoof" which we recorded the next night, again, just tabla and piano, adding the rest later.
Sound ¤ The recording, mixing and mastering of audio recordings become art forms when they are executed creatively with vision as well as with technical perfection.
I 'm fortunate to have had this recording mixed and mastered by genius audio artists.
Since his early recordings with Henry Mancini and STEELY DAN, to his recent great work on the Ray Charles, Genius Loves Company, I've always admired the beautiful sound-crafting of Al Schmitt.
I'm so happy he has put his magic touch on this recording. Bernie Kirsh and I have worked together in the recording studio consistently since 1975 when we recorded The Leprechaun.
We've now collaborated on over thirty albums. And once again his flawless recording and encouraging manner are a major part of this project.
Buck Snow was assistant engineer on my last project. To the Stars. Now on The Ultimate Adventure, Buck has proven himself to be an amazingly adept and artistic mixer as well.
Doug Sax put the finishing touches on the sound and presentation of this recording. He made all the parts into a unified whole with a resultant sound that 1 personally love.
Three generations of audio masters.
Thank Yous ¤ A special thanks to my wife, Gayle, for the love, understanding and support she always gives to my music. To David and Shelly Miscavige for their love and support and for keeping the dream alive and pure. To Barbara and all my friends at Author Services, Inc., for all their help and encouragement. To John Goodwin. Elise Toth and everyone at Galaxy Press for their backup and support. To Chandra and the whole Mad Hatter staff for providing the warmest and highest quality recording environment ever. To my manager. Bill Rooney, for his enthusiasm and Evelyn Brechtlein and all the Chick Corea Productions staff for their help and coordination of this recording. To Glen Barros and everyone at Concord Rf cords for their continuous support.
Special Thanks ¤ L. Ron Hubbard has been providing me with inspiration through his great legacy of works since 1968. My appreciation of his genius and his humanity continues to grow. I thank him once again for all he has given, and this time especially for this unique fantasy,
The Ultimate Adventure, the text that inspired this music.
Additional Thanks Òî ¤ Yamaha and Brian Alexander. L. Ron Hubbard's
Embark on a perilous journey into a mirror dimension where the magic is real,
the demons are bloodthirsty, and fate has just charged a mere mortal with saving the enchanted City Of Brass ...
"But the light was gone, and all was dark and somewhere afar there came ë spinning sound as though a siren started its rise into its piercing shriek Din burst upon Stevie. A giant red wheel spun, crashing its gears. The vortex of a scarlet maelstrom yawned wide, comets flashed, cannon thunder and gale sent him crashing-endlessly down. down, down!
Three Ghouls
Chick Corea,
PO Box 1666, Clearwater, FL 33757-1666
or log onto www.chickcorea.com
411 Cleveland Street, Suite 215. Clearwatet,
Florida 33755
Tel. (727)446-8100
173 Brighton Avenue, Boston. Massachusetts 02134
Tel. (617)254-0007
My musical partners are among the best of the best. Their artistic qualities, combined with the warmth of our friendships, has really made the making of this record The Ultimate Adventure' for me. My deepest thanks to all for their amazing performances, care and devotion to this music.
The Ultimate Adventure