DAPP THEORY
Y'all Just Don't Know
(2006)
1. Trickle Down * 3'54
Music: Andy Milne
Lyrics: Bruce Cockburn & Kokayi
2. Neoparadeigma 6'47
Andy Milne
3. In the Moment 5'26
Andy Milne
4. Con Alma * 5'46
Dizzy Gillespie
5. Bermuda Triangle 2'51
Andy Milne
6. Everywhere Dance * 4'25
Music & Lyrics: Andy Milne & Bruce Cockburn
7. Patterns Of Force 5'27
Andy Milne
8. Only Clave 4'04
Music: Andy Milne
Lyrics: Kokayi
9. Bad Air * 6'18
Music: Bruce Cockburn
Lyrics: Bruce Cockburn & Kokayi
10. Why 2 K? 6'45
Andy Milne
11. Lullaby 6'45
Andy Milne
Total Time: 51:43
Andy Milne - Piano, Keyboards & Vocals (1)
Gregoire Maret - Harmonica
Rich Brown - Electric Bass
Sean Rickman - Drums (all except 1 & 9) & Vocals (1 & 11)
Featuring:
Bruce Cockburn - Vocals (1, 6 & 9) & Guitar (1 & 9)
Kokayi - Vocals (1, 5, 8, 9 & 10)
Also Appearing:
Mark Prince - Drums (1 & 9) & Percussion (6)
Rick "Shadrach" Lazar - Percussion (6 & 9)
David Gilmore - Guitar (3)
Vashon Johnson - Acoustic Bass (6)
Vinia Mojica - Background Vocals (9)
Carla Cook - Background Vocals (1)
Producers: Sean Rickman, Dick Rausch, Andy Milne
Executive Producer: James Nicol
Project Manager: P.C. Jackson
Photography: Jose Ivey, P.C. Jackson (studio)
Cut-Paper illustrations / Design: Tamar Haber-Schaim
Bruce Cockburn appears Courtesy of TRUE NORTH / ROUNDER
Carla Cook appears Courtesy of MAXJAZZ
Andy Milne uses KORG Synthesizers
Sean Rickman uses PEARL Drums and ZILDJIAN Cymbals
Rich Brown uses Ken LAWRENCE Basses and AGUILAR Amplifiers
Gregoire Maret exclusively plays HOHNER Harmonicas
*
Recorded: Michael Marciano, SYSTEMS 2, Brooklyn, NY, May 16th - 17th 2001
Recorded: Dick Rausch, Sir EEL RECORDING COMPLEX, Brookville, MD, Oct. 12th - 14th 2001
Additional Recording: Bobo Fini, Dick Rausch & Ed Ross, August - November 2001
Digital Editing: Bobo Fini & Andy Milne, STONEWAY STUDIOS, Brooklyn, NY, August - November 2001
Mixed: Dick Rausch, Sean Rickman & Andy Milne, INNERFACE, Annapolis, MD, November - December 2001
Mastered: Dick Rausch, Sean Rickman, INNERFACE, Annapolis, MD, December 26th 2001
When I set out to make this recording almost 3 years ago I had only a hazy notion^
of what it might sound like. As time passed, my vision came into focus, the dot
com craze & record industry went bust, and my approach to living and composition shifted
profoundly. Fortunately, I was blessed with supportive ^^^^ band-members, friends and family
who recognized Dapp Theory as a special and unique ψΨ/^; musical force.
The opportunity to collaborate with Bruce Cockburn was a huge honor because I've respected his
music & lyrics since my early teens. The timing was perfect because Bruce was beginning a
sabbatical when I approached him. Organizing composing sessions in New Jersey, Toronto,
New Hampshire and Montreal initially seemed daunting, however they came together with surprising
ease, leaving Bruce and me free to dedicate ourselves to the creative process. A new friendship
and two new compositions to our credit, I feel an enormous success from this period.
Although Bruce's presence here may surprise some, it has always felt quite me.
Bruce represents an entire tradition of singer-songwriter-poet-musicians
affected social change through the power of their words and politics,
much artists Chuck D, KRS-1 and 2-Pac. I wanted to pair Bruce with Kokayi, an MC
intelligence and musicianship, to explore the similarities between the poetic expression found in
hip-hop and folk-rock. Bruce Cockburn and Kokayi are wordsmiths from two disctint musical cultures,
seeking to expose the truth through their art form.
DAPP THEORY strives to link thr essence nf jazz with hip-hop and other forms of musical expression.
It's not about playing in any particular style, but about connecting to the sensibilities
found within the band's collective musical background.
The music is rooted in jazz because it
comes alive through creative improvisation with an emphasis on groove and profound melody.
Deeply inspired by the masters of many musics, we strive to create our own music which
emulates them only in their inventive spirit. Rich Brown, Gregoire Maret and Sean Rickman each
represent several decades of studying a vast range of music.
Each possesses an unique voice and immeasurable talent on their respective instrument.
comes from experiencing their exploration of the music, night after night.
www.dapptheory.com
www.concordrecords.com
I want to give major Thanks To those who loaned me hours of their time, expertise and patience during the making of this recording: ^Λ^^^^^% " Sean, Dick, Ravi and your families. I couid not have done this without your guidance. ^^E* energy & support. Thanks for not kicking me out until it was finished. Your friendship and commitment can't be measured Chris for your steady support, friendship & advice and for taking
a week off work to be there for a brother * Gregoire, Kokayi, Rich, Sean and Mark for your patience & for taking the road beatings All the musicians for your other-worldly musicianship, endurance & friendship At Concord Records. Bob O'Connor, John Burk and Norman Lear for your vision and Kent Liu and Abbey Anna for working hard to get this through for 2003 Jose for jumping in at the last minute and making us look good Tamar for feeling the vision & stretching with me Rio ^^ and Dale at the Jazz Gallery for the field of dreams vibe Stanley for being mellow & resourceful and ^^h^ Camille for letting us crash at the crib Gene for being ready to jump m Vincent for your ^|^B^^ skill, drive & time on the EPK Patrick for documenting & mixing the Rocco 2002 sessions Βξξ^^Φ^^^ Lang for capturing me & ΒΡ Rocco for helping us build a home in LA Dan, Catalina, Byron, ^% and Will for
letting us crash Phil for the liner notes & support Jana for the PR & advice Helmut for the extra footage & your generosity Poz for listening & encouraging me with my dreams Shernette and Anna at Alamo YYZ for the unlimited drive happy leeway Bobby Colomby for your constant enthusiasm, guidance & sharing of your time & experience George Ghiz for listening, brain-storming & going to bat Mike, Joe, and Nancy for the great analog vibes Mike Simm for hooking up the accommodations Paul Schaffer for the congas Mario for hooking up Shadrach Jim and Chris for being there when I had no options & for going out on a major limb for me MJ for your friendship & the vibe September House gave to "Everywhere Dance" Idea Live for putting me through it. From death came life Bruce Cockburn for being you and for being available & down for the cause Rich, Hubie and Bernie for hooking up the ΒΡ connect Iris for constantly questioning the written ^^^^ ^^ word The Beattys for housing me & my car My family for understanding how much this ^0^B^br^ means to me The Creator for blessing me with the determination, imagination & will ^^^Θ ^Ψ to succeed Alt of you who are supporting creative independent music by buying this ^^^^ί J^T <~'D Y'a" iust don't know...
If you were to ask, I couldn't tell you. If f told ^^ you, you wouldn't believe me. If 1 didn't make it, you wouldn't have it to enjoy. If you burn it, we can't survive. Please support independent artists by purchasing - not burning - their CDs.
I've always believed that, despite the limited vision and commercial constraints of the recording industry, there would always be an opportunity for exceptional artistry to emerge through the morass of mediocrity, 'nether it be through word of mouth, or just spectacular good fortune, a truly inspired musical aggregatio ^uld sustain its existence and flourish by building upon a core audience and eventually break through to orldwide prominence.
Testing that supposition is Dapp Theory. Much like trying to pitch "Seinfeld" to a major network, the elements of this band are disparate at best. Yet, because of Andy Milne's integrity and sheer brilliance in making those elements work. I believe Dapp Theory is the beginning of a sorely needed musical recrudescence.
As a musician and recording industry veteran, I music. Not only was I unable to figure out what _.. music in any existing category. But once I simply listened, I was hooked.
t back, dispe
mically, I couldn t classify thi ith my analysis and just
The music of Andy Milne is the most startling aural revelation of my life since 1956, when ! heard Jimmy Smith for the first time. I consider Andy's music to be the next page because it is like nothing I've ever heard before. The eighth color of the Rainbow. I was totally spellbound when I heard the group at NAMM 2002 in Anaheim. It would have been the perfect next step for Miles and I'm sure it would have been his DAPP THEORY.
1. Trickle Down
Picture on a magazine
Boardroom popstar
Pinstripe prophet of peckerhead greed
He said "Trust me with the money"
The keys to the universe -
Trickle Down will give us everything we need
Brand new century
Private penitentiary
Bank vault utopia padded for the few
Tumors for the masses
Coughing for the masses
Earphones for the masses and they alt serve you.
Plowed fields in Brazil's rain forest
Soil is porous
The stench out their mouths reeks of phosphorous
Vote for us
Politicos with Cheshire smiles
Pockets full of tobacco leaves
Weave tales and stale dreams pale pleas
Patriot games without Harrison
GOP seeks to stock the garrison
Those sworn to uphold the law ρontinue the harassment
41 shots for leather guns
Missions to Mars seeking like to tether up the sun
Trickle down - give 'em the business
Trickle down - supposed to give us the goods
Cups held out to catch a bit of the bounty
Trickle down everywhere trickle down blood
What used to pass for education
Now looks more like ignoration
Take the people's money and slip it to the corporation
Yellow rain golden shower
Pesticide firepower
Summon feudal demons ξf sweatshop subjugation
Workfare, foul air
Homeless beggars everywhere
Picture-phone aristocrats lounge around the pool
Captains of industry
Smiling beneficently
Leaky - hull supertanker ship of fools
Trickle down - give 'em the business
Trickle down - supposed to give us the goods
Cups held out to catch a bit of the bounty
Trickle down everywhere trickle down blood
Harvest the moon industry inundated
With the same greed laced tunes
4th horsemen of the Apocalypse croons
Money consumes consumers presume
Prescriptions allude look as the evil exudes off their skin like sweat
Drops facades and set props
Lights camera action class wars
Patriot factions native American concentration
Camps casino reactions blankets
Laced with small-pox pull the lever
Triple six hits and your soul dies forever
Trickle down - give 'em the business
Trickle down - supposed to give us the goods
Cups held out to catch a bit of the bounty
Trickle down everywhere trickle down blood
2. Neoparadeigma
3. In The Moment
4. Con Alma
5. Bermuda Triangle
6. Everywhere Dance
Moon of plenty, moon of missed chance
It'll be what you went but you can't stop the dance
Try to count the steps and they change while you stare
And the translucent moon floats in waves of blue air
And we cry out for grace to lay truth bare
The dance is the truth, and it's everywhere
Pas de deux in stark silhouette
Pulsing against a clear orange sunset
As the distance shifts from skin unto skin
Look at how bodies shape the spaces they're in
See the limbs slide smooth through unresisting air
The dance is the truth, and it's everywhere
In grains of sand and galaxies
In plasma flow and rain in trees
In the sepia swell of silted up surf
In the ebb and the flow of dying and birth
In wounded streets and whispered prayer
The dance is the truth, and it's everywhere
7. Patterns Of Force
8. Only Clave
And the fax read
No beach no fun no play
No sun no day
No bonita senoritas no man no way
Weeks of clave only
Brain twists rum sips
Cohiba Esplendido
Hand slaps on the skins make me miss Tito
It's hot people mango butter
Sizzle like the light drizzle rain drope on
Black tops in the mid-summer
Sun under the weather
Sweaty like Eddie in Delirious red leather
Hot stepper like ini kamoze
Suppose we baila with N G Labanda slowly
Naw we slapped the wood blocks
Rock the palm tree top
Trunks three tropic
Temp therma stat poppin'
Like ya dermis in a tweed stocking
Breeze steady like Β ready to push the pedal heavy
Like when he mobbed with cool Ρ
E S T the ackniculous ridiculous plus we cantankerous
Ready to bust upon these plush conditions like mint rust
Seein' the red
Only the Ρ l a v e
Got me easy to bury
Band the d
Slang the dr
Rang the dru
True mtume juicy fruit
Hang from the vine
Clapping and singing
And chanting in time
Slippery incline
Inclined to go out of my mind
Mind your hands and feet
Toe tap the beat beat box
And with two sticks in hand I wrote my SOS note in the sand
On the beach I crept to with 3 others
1 sister two brothers
Sun lover
Plot never uncovered
Photo op still sits atop my desktop
Next to the fax that said
(repeat from top)
9. Bad Air
Judge said to the hooker,
"Can you come out to play?
I've been condemning people all day long.
That's how I get paid
My dreams are full of criminals frolicking about
Open up the window, let the bad air out!"
Strangled by confusion,
My mind is in decay
Can't picture tomorrow,
Can't remember yesterday
Send out for the Black & Decker and the psychiatric couch
Open up the window, let the bad air out
Police said to Diallo, "Man
Throw your weapon down"
I guess the economics of a wallet
Made a different sort of sound
Shots they rang out the gavel
Still gave no shout
Open up the window let the bad air out
Dubya winked at Dickie
Man you know Alaska' kinda of prime
Let's drill it 'til we kill it the crude is all refined"
Energy is the crisis Cali's got rolling blackouts
Open up the window let the bad air out
Judge said to defendant
Take a step back 5 years is the minimum
For 1 rock of crack
Wall Street started laughing
Man they've been sniffin' more than just an ounce
Open up the window let the bad air out
Too much monkey business, like Mr. Berry said
Drugs and oil and money don't mean nothing when you're dead
At the risk of being subversive.
Nothing left to do but shout
"OPEN UP THE WINDOW, LET THE BAD AIR OUT!"
Traitors in high places
Take my money, tell me lies
Take a walk past parliament, it smells like something died
They ask for trust, but somehow I've got serious doubts
Open up the window, let the bad air out
10. Why 2 K?
11. Lullaby
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