9. Silver White Man 3'44
(David Byron)
Previously Unreleased Version
©1995 CASTLE COPYRIGHTS Ltd.
10. Crystal Ball 4'08
(Gary Thain)
Previously Unreleased
©1995 CASTLE COPYRIGHTS Ltd.
Total Time: 45:39
Mick Box - Guitars
Ken Hensley - Keyboards, Guitars, Moog Syntht«
Gary Thain - Bass Guitar
Lee Kerslake - Drums and Percussion
David Byron - Vocals
Produced by Gerry Bron
Engineer Peter Gallen
"Silver White Man" (Track 9) and 'Crystal Ball" (Track 10)
Mixed by Robert M. Corich and Ian Herron, June 1995
Assistant Engineer - Ashley Howe
Original Cover Artwork Designed and Drawn by Roger Dean © 1972
Photographs by Fin Costello
CD Artwork by CREATION GRAPHICS, London, England
Revised Sleeve and Notes Prepared by RED STEEL PRODUCTIONS
for the ESSENTIAL LABEL
Extra Photos and Clippings Courtesy of Mick Box,
Ken Hensley and the UHAS archives.
All Songs except where indicated originally Published by Sydney BRON MUSIC Co. Ltd.
©1972 BRONZE RECORDS Ltd.
Recorded at LANSDOWNE STUIOS, London, September 1972
Thanks To Alan Hartley and Trevor Hensley
Research and Co-ordination Robert M. Corich
All Tracks Remastered August 1995 by Mike Brown and Robert M. Corich
The Bonus Tracks:
9. "Silver White Man" - two versions were left on mulii-track from
The Magician's Birthday recording sessions. One was far from complete,
the other clearly not complete with regards to the vocal tracks.
The second version was originally mixed as a reference track with vocals
(or what there was of them!) in 1993. However, after I played this to Mick
he decided it could be used if we re-mixed it as an instrumental. Here it is in all its glory.
10. "Crystal Ball (Gary's Song)" - originally only identifiable as Gary's Song
on the multi-track box. Crystal Ball was also mixed for ihe first time in 1993
for possible use on URIAH HEEP's forthcoming 25th Anniversary Box Set.
With The Magician's Birthday being remastered and repackaged,
it was thought more appropriate to include it here as it was recorded during
The Magician's Birthday sessions.
Released in UK November 1972 BRONZE
Released USA - November 1972 MERCURY
1972 was a landmark year for URIAH HEEP.
Not only had they achieved a stability in musical personnel but
they had also gained international status with the best
selling album Demons And Wizards.
The band was also touring the world extensively. Wasting no time,
and to capitalise on their new found success,
Gerry Bron had the band promptly back at LANSDOWNE STUDIOS
in London's Holland Park in late 1972. Working flat out between the many tour commitments,
the band started recording what was to become The Magician's Birthday.
About an hours worth of material was recorded but due to the limitations of vinyl releases
only 40 minutes' worth was used. This 40 minutes' worth of music was made up of 8 songs,
including the title track, an epic battle between good and evil.
As with Demons And Wizards, The Magician's Birthday was also
recorded on 16 track using some innovative if not unusual recording methods (including matchsticks attached to tape rollers!)
the album was completed in October 1972.
Released in November 1972 The Magician's Birthday appeared to create a link between
the fantasy world and music as had Demons And Wizards. Demons And Wizards was a hard act to follow,
but nonetheless The Magician's Birthday more than achieved the task,
reaching the top of the charts in both the UK and US. Again the cover was designed by Roger Dean, the second of three covers he has designed
throughout the band's career (the third one being completed for URIAH HEEP's latest album Sea Of Light - 1995).
Much of the material from The Magician's Birthday and from the previous album. Demons And Wizards was to grace the band's next release,
the million seller (of the day) Uriah Heep Live 1973, giving testimony that this band could play live very well indeed.
With two high flying albums charting in many countries around the world, the band were surely destined for heights they could only have dreamed of a few years earlier.
The Magician's Birthday went on to become one of the best selling albums for 1973,
often accompanied in the charts by several other URIAH HEEP albums. In Australia and New Zealand the charts of 1973 were for a while inundated with Demons And Wizards, The Magician's Birthday, Uriah Heep Live
and several singles - all at the same time !
For aficionados of rock and by many musicians famous still today The Magician's Birthday is still touted as one of the best albums of the period.
The package you are holding contains the newly remastered album accompanied by two tracks left over from two tracks left over
from The Magicians Birthday sessions. The first of these, "Silver White Man', was later released as a re-recorded version on David Byron's first solo LP Take No Prisoners.
This version was recorded entirely by URIAH HEEP, however the vocal track was incomplete and only the backing track could be used when the track was mixed down.
The second bonus track, "Crystal Ball" was originally only rndentifiable on the original 16-track tape box
as "Gary's Song". Named "Crystal Ball", after it was first mixed in 1995, it is one of the few remaining examples of Gary Thain's song, writing legacy.
©1995 Robert M. Corich
'The Magician's Birthday was a natural follow-up to Demons And Wizards,
but I do remember being a bit disappointed, because it was quite a rushed project.
I had originally planned for this record to be a complete 'concept' album.
The best illustration of the original concept is the title track, which encapsulates the story into
one song and is full of variety in music, instrumentation and production.
There is humour in this record too, whereas later in our carreer that was clearly missing (I wonder if Lee would enjoy his kazoo part as much today !).
Anyway, the original story may yet be finished, but the album is history and I do stilf find it enjoyable in places.'
Best regards David Byron
Based loosley on a short story which I
wrote during june / july this year The Magician's Birthday
brings us to our fifth album.
Again we find ourselves saying
this is our most important album, but they
have all been the most important and we
will probably say that about the next one and so on ...
Since Demons And Wizards we have
been touring really hard, and recording
this new album has helped us to see how
the hand has progressed, this
being reflected by the new songs
and the lightness, togethemess if you like, of the
finished product.
The URIAH HEEP whith appeared first on
our last album is we feel now in full flight
and we are looking forward to the many
new adventures that are planned for us.
With everyone in the band writing,
we have been able to spread out so much more,
and if you and 1973 are even halt
as good to us as you were in l972,
it looks like it could be a very good year.
Ken Hensley
September 1972
This album was the follow up to Demons And Wizards and a continuation of the mystical lyric writing, once again featuring a very strong cover by Roger Dean.
I remember the guitar and drum fight sequence on the title track was done in one take by Lee and myself after a quick visit to the pub down the road from LANSDOWNEe STUDIOS in London,
where we recorded the album. I think it shows the development of Lee and myselfs understanding and working together as musicians and friends. We had some good experimental fun on this album with Lee playing the hilariou kazoo solo on Magician's Birthday (we should have recordei his first take, which was a masterpiece) and recording the Happy Birthday vocals, miking the upright piano strings and singing into them to capture the resonating sound. Gary continued with his great melodic bass lines and became an inspiration for a million other bass players together with Lee's powerful drumming and vocal contribution. David's voice did it once again to me on Rain and made the hairs on my arms stand up. Ken, as ever, with his all round musical, writing and lyrical contribution showed that this really was a band with great chemistry in full flight. Now it has been remastered it can be re-lived, and I hope you enjoy the bonus tracks too.
Mick Box
11.09.1995 on tour in San Paulo, Brazil
1. Sunrise
Aaah, aaah
Aaah, aaah oooh
Sunrise, and the new day's breakin' through
The morning of another day without you
And as the hours roll by
No-one's there to see me cry
Except the sunrise...
The sunrise and you.
Aaah, aaah
Aaah, aaah oooh
Tired eyes drift across the shore
Looking for love and nothing more
But as the sea rolls by
No-one's there to see me cry
Except the sunrise...
The sunrise and you.
Sunrise, - bless my eyes,
Catch my soul - make me whole
- Again.
Sunrise, new day, hear my song
I am tired of fightin' and foolin' around
But from now till who knows when
My sword will be my pen
And I'll love you, love ya
For all of my time.
Sunrise, - bless my eyes
Catch my soul and make me whole
- Again.
So sunrise, - bless my eyes
Catch my soul - make me whole
- Again.
Sunrise, - bless my eyes
Catch my soul - make me whole
- Again.
Sunrise.
2. Spider Woman
I had a Spider Woman and she was so good
She chained me in her web so tight
I lost the freedom of release that night
So I stayed right by her
I dreamt I saw a blind man who was singing a song
About a guy who couldn't take no more
And the meaning of the words he swore
Told me go find her yeah
She was a Spider Woman, but she was good to me
Spider Woman, but she was good to me
She went down.
I told her 'bout my vision
But she laughed in my face
So I told her go and walk in the street
But by the time she got past my feet
I lost control
She was a Spider Woman, but she was good to me
Spider Woman, but she was good to me
Spider Woman, but she was good to me
Spider Woman, but she was good to me
Spider Woman, but she was good to me
Spider Woman, but she was good to me
3. Blind Eye
Stranger than the sunrise
Darker than the night
Fiercer than a rainstorm
This is man's delight
This is man's delight.
Weaker than a moment
And hot as any fire
Blinder than the blind eye
This is man's desire
This is man's desire.
I ran to a place in the open sea
Where I pledged my life to the sun
But when I woke up one day the sun
Had gone.
I ran to a place in the open sea
Where I pledged my whole life to the sun
It was good for a while, I could laugh, I could smile
But when I woke up one day the sun
Had gone.
Had gone had gone had gone had gone
So what of my meaning
What am I trying to say
What of my caution
... I'm a man anyway, I'm a man anyway
I'm a man anyway, I'm a man anyway
I'm a man anyway, I'm a man anyway.
(repeat to fade)
4. Echoes In The Dark
I have heard the echoes in the dark
Dim and distant voices of the past
And I've seen so far into the night
And lingered in the land of no light.
Far beyond the shrouded hours of dawn
Through the mist of daybreak I was born
But the day was clouded still by night
Leaving me in the land of no light.
Though I'd love to
Say hello to you
You might have to wait a while to say
Goodbye
For it must end as it began
And then start again.
The day of darkness comes to every man
And lingers while he reaches out his hand
And he cannot know how it will end
Till he finds out if he has a friend...
A friend...
A friend...
A friend.
5. Rain
It's raining outside but that's not unusual
But the way that I'm feeling is becoming usual
I guess you could say
The clouds are moving away
Away from your days
And into mine
Now it's raining inside and that's kind of a shame
And it's getting to me, a happy man
And why should you want to
Waste all my time
The world is yours
But I am mine
Rain, rain, rain, in my tears
Measuring carefully my years
Shame, shame, shame, in my mind
See what you've done to my life
Rain, rain, rain, in my tears
Measuring carefully my years
Shame, shame, shame, in my mind
See what you've done to my life
See what you've done to my life
6. Sweet Lorraine
Would you like to take this magic potion with me
On a trip to a cosmic playground far beyond
She understands, she's been before
It's in her hands to find the door
Sweet Lorraine let the party carry on
You and I will swim the sea
Sweet Lorraine let the party carry on
You and I can feel the breeze
There is no time, no wealth only I surround you
The fortune of this guide is simply sincerity
She understands 'cause she's been before
It's in her hands to find the door so
Sweet Lorraine let the party carry on
You and I will swim the sea
Sweet Lorraine let the party carry on
You and I can feel the breeze
Sweet Lorraine let the party carry on
You and I will swim the sea
Sweet Lorraine let the party carry on
You and I can feel the breeze
Sweet Lorraine let the party carry on
You and I will swim the sea
Sweet Lorraine let the party carry on
You and I can feel the breeze
Sweet Lorraine
Sweet Lorraine
(repeat and adlib to fade)
7. Tales
We told our tales as we sat under
Morning's sleepy sky
With all the colours of the sunrise
Shining in our eyes.
One, then another, with a story of yesterday's lives
Or of a lover who had gone in a
Moment of strife.
No thought of sleep ever dwells upon
The wise man's mind
Some task or audience stealing every
Moment of his time.
Thus we have learned to live
While mortal men stand waiting to die.
How can we do what must be done in
Just one short life.
And if you ask, then you must know.
If you still doubt, you should be told.
It was not we that made it so.
It was by those who went before.
And there you sit, tomorrow's child
So full of love, so full of life
But you must rise to meet the day
Lest you become another tale
And there you sit, tomorrow's child
So full of love, so full of life
But you must rise to meet the day
Lest you become another tale
Another tale, another tale
Another tale
8. The Magician's Birthday
In the magic garden
Some were singing, some were dancing
While the midnight moon shone brightly overhead.
The stars so gaily glistened
And the sphinx in silence listened to
The magician tell of lives that he had led.
Let the bells of freedom ring
Songs of love to Friday's king.
Let's all go to the magician's birthday
It's in the forest, but not so far away
Much to do and so much to say
While we listened to the orchid orchestra play.
Happy birthday to you, happy birthday to you
Happy birthday to you, happy birthday to you
Happy birthday dear magician, happy birthday to you
Happy birthday to you (dear magician), happy birthday to you
Happy birthday to you (dear magician), happy birthday to you
Happy birthday to you (dear magician), happy birthday to you.
Then at the dead of midnight
As we watched the dancing firelight
The air grew cold and seemed to dull the flame.
The fire died, the music faded
Filled with fear of death we waited
For now we knew some evil was to blame.
I challenge you, I challenge you all
For all you own and all you know
And by all the powers of darkness I will
Steal what is mine
Surrender now or face my spite
I grant you it may be Friday night
But did you know this day
Also numbers thirteen.
First I give you fire
I turn your fire into a sleepy stream
Yes but now I give you nightmares
From your horror I'll create a dream
You cannot fight me for I have the sword of hate
But one thing you can't see, my answer is simply
An impenetrable fortress
Of love - love - love.....
FINALE
The fear went as quickly as it came
The air was clear, the fire burned again
The flames leapt, the organ played
The swans sang to greet the day
And then we knew that
Love will find love will find love will find
Love will find love will find love will find
Love .....
9. Silver White Man
10. Crystal Ball
Do we live our lives in moderation?
Does this appear when you're around?
And the deeper in debt
The harder the bet
Your thoughts are one of a clown
Look out before you sign
Your soul away
The crystal ball, it seems
Is not reading to - reading today
Does the time seem right
For some rethinking?
It seems a gift that you have
Are you living a dream
Of express progress?
It’s just a thought that you have
Oh, you should’ve know better
When the warning light was lit
As it did for others
You preach a sermon
When you talk of the Messiah
We are yet to discover
Thinkin’, lovin’, feelin’
But disbelievin’ ...
|
|
|
|
|
|
|
|
|
|