Tony BANKS ::: 256 kb/s ::: VBR except * ::: 192 :::     A Curious Feeling 1978   1. From The Undertow   2. Lucky Me   3. The Lie   4. After The Lie   5. A Curious Feeling   6. Forever Morning   7. You   8. Somebody Else's Dream   9. The Waters Of Lethe 10. For A While 11. In The Dark Tony Banks - Bass, Guitar, Percussion, Keyboards, Vocals Chester Thompson - Percussion, Drums Kim Beacon - Vocals Tony Banks - Producer David Hentschel - Producer, Engineer Dave Bascombe - Engineer David Bascombe - Engineer Dale Newman - Equipment Technician, Equipment Assistant     The Fugitive 1983   1. This Is Love   2. Man Of Spells   3. And The Wheels Keep Turning   4. Say You'll Never Leave Me   5. Thirty Three's   6. By You   7. At The Edge Of Night   8. Charm   9. Moving Under 10. K 2 11. Sometime Never Tony Banks - Bass, Guitar, Drums, Keyboards, Vocals Mo Foster - Bass, Guitar (Bass) Daryl Stuermer - Guitar Andy Duncan - Drums Steve Gadd - Percussion, Drums Tony Beard - Percussion, Drums Tony Banks - Producer Stephen Short - Assistant Producer     The Wicked Lady * 1983 (soundtrack)   1. The Wicked Lady   2. Spring   3. The Chase   4. Caroline   5. Jerry Jackson   6. Repentance   7. Kit   8. Barbara   9. Prelude To The Wicked Lady 10. Portrait Of Jerry Jackson 11. Caroline's Theme 12. Scherzo 13. Pastorale 14. The Wicked Lady 15. Kit's Theme 16. Finale Tracks 1- 8 were played by Tony Banks, Recorded at home on 8 track. Mixed at the Farm, Surrey, with help from Steven Short and Geoff Callingham. Tracks 9 - 16 consists of orchestrated versions played by the NATIONAL PHILHARMONIC ORCHESTRA Of LONDON (leader Sydney Sax), Recorded at St. Peter's Church, Morden. Musical arrangements and orchestration by Christopher Palmer. Tony Banks - Bass, Guitar, Composer, Keyboards Christopher Palmer - Arranger Tony Banks - Producer Tony Faulkner - Engineer TONY BANKS IN CONVERSATION WITH ALAN HEWITT ABOUT "THE WICKED LADY" AH: You've already mentioned that at the same time you were doing all of this you were also doing The Wicked Lady soundtrack. It was quite a controversial film in it's own way as the Board of Censors wanted to ban it from domestic release because of the whipping scene. TB: That's down to Michael Winner, he always tries to push things as far as he can to get some publicity! (laughter) AH: How did you actually become involved with that project? TB: Well, the guy from Atlantic Records over here, Phil Carson, was approached by Michael Winner. He'd already done something with Jimmy Page and he said, "Do you know anyone who might want to do this film thing?" and Phil Carson said, "Well this guy Tony Banks, he wants to do it". So he came to me and I must admit that I wasn't a hundred per cent sure about doing it but I decided to do it anyway. I worked on that particularly as it was to be an orchestral soundtrack and I was doing the Fugitive at the same time, so I worked with an arranger on that. So in a sense a lot of what you hear on that is him really in terms of what the orchestrations are. With a lot of the pieces I just played them on the piano and recorded them and then he orchestrated it; some of them very faithfully and others he adapted more than perhaps he should have done but it was fun to do and all the main themes sounded great with the orchestra. The main moment that it was used was during a soft porn sequence (laughter), which wasn't quite right and it wasn't what I'd intended, it was supposed to have this beautiful melody and I had all sorts of images for it. Anyhow, it was great fun to do and in contrast with The Shout, The Wicked Lady had the music really up front and it sounded great. When I saw it at the cinema it sounded fantastic and it made me want to do more. AH: Did you actually enjoy working with an orchestra this time around rather than with a band? TB: Well it was great fun to have that and I felt a bit daunted by that. I was there for all the recordings but I didn't get involved directly. Everything was done through this guy Christopher Palmer who was the orchestrator. Working with people that are professionals in this field, it's a different approach. They look at music differently to how I would and that's what's great about it, it's one take and it's there and it sounds fantastic! There's none of this overdubbing and cheating (laughter) to make it sound good and I did love that although it did end up a little syrupy at times. On the second side of the album I actually did my versions of some of these pieces, which were really just the demos. I did this awful version of the main theme with a drum machine which was done specifically because Phil Carson said, "Do a rhythm version!", so that they could put it out as a single. I heard it the other day actually and I thought it was embarrassing! AH: The other surprise from that project was the single. It was extremely low key. TB: It was a bad move. I don't think it should ever have been a single. I think we should have just put out the album and if the film had been a success then the album would have done OK - that's how it works with films. As it was, it was never going to do anything but I think that a couple of the things on there sound good. Musically I can't remember all that much about it apart from the main orchestral theme which I thought was very good. AH: A lot of people like that album an awful lot and they wonder why it's the only one that hasn't been released on CD. TB: It's down to the fact that it was on Atlantic, that's why. If the album sold five hundred copies I'd be surprised and to put out a CD costs them money. For the sake of completion if someone like Virgin will get hold of it then it's possible. From their point of view they don't think it's worth it and we haven't put much pressure on them for it. It would be quite nice if it was available. AH: As you've pointed out, the main problem for many people is actually finding the album, it's quite hard to find. TB: Bloody hard to find! (laughter) I mean, I see my role within the group as providing all the rarities! (laughter). There are a few really obscure things throughout my career with all these singles.     Soundtracks 1986   1. Short Cut To Somewhere   2. Smilin' Jack Casey   3. Quicksilver Suite: Rebirth   4. Quicksilver Suite: Gypsy   5. Quicksilver Suite: Final Chase   6. You Call This Victory   7. Lion Of Symmetry   8. Redwing Suite: Redwing   9. Redwing Suite: Lorca 10. Redwing Suite: Kid And Detective Droid 11. Redwing Suite: Lift Off 12. Redwing Suite- Death Of Abby Tony Banks - Bass, Guitar, Keyboards, Vocals Fish - Vocals Toyah Willcox - Vocals Jim Diamond - Vocals Tony Banks - Producer Richard James Burgess - Producer John Eden - Producer Chas Watkins - Engineer Andrew Jackson - Engineer Andy Jackson - Engineer Dennis King - Mastering Geoff Callingham - Technical Assistance     Bankstatement 1989   1. Throwback   2. I'll Be Waiting   3. Queen Of Darkness   4. That Night   5. Raincloud   6. The Border   7. Big Man   8. A House Needs A Roof   9. The More I Hide It 10. Diamonds Aren't So Hard 11. Thursday The Twelfth Tony Banks - Synthesizer, Keyboards, Vocals, Synthesizer Bass Steve Hillage - Guitar, Producer Dick Nolan - Guitar, Guitar (Bass) Pino Palladino - Bass, Guitar (Bass) Derek Watkins - Trumpet Gary Barnacle - Saxophone John Thirkell - Trumpet Geoff Dugmore - Drums Martin Ditcham - Conga, Tambourine Alistair Gordon - Vocals, Vocals (bckgr) Jayney Klimek - Vocals, Vocals (bckgr) Tony Banks - Producer Stephen Chase - Engineer Andy Mason - Assistant Simon Osborne - Assistant Hugo Nicholson - Assistant Mike Bowen - Technical Assistance Geoff Callingham - Technical Assistance John Swannell - Portraits     Still 1991   1. Red Day On Blue Street   2. Angel Face   3. The Gift   4. Still It Takes My Heart By Surprise   5. Hero For An Hour   6. I Wanna Change The Score   7. Water Out Of Wine   8. Another Murder Of A Day   9. Back To Back 10. The Final Curtain Tony Banks - Keyboards, Programming, Vocals, Synthesizer Bass Daryl Stuermer - Guitar Marti Robertson - Saxophone Vinnie Colaiuta - Cymbals, Drums, Hi Hat James Eller - Bass Pino Palladino - Bass Graham Broad - Drums Luis Jardim - Percussion Nik Kershaw - Vocals Fish - Vocals Andy Taylor - Vocals Jayney Klimek - Vocals, Vocals (bckgr) Tony Banks - Producer Nick Davis - Programming, Producer, Engineer Mark Robinson - Assistant Engineer Mike Bowen - Technical Assistance WEREFORE ART - Design Carl Studna - Photography Anthony PHILLIPS     The Geese & The Ghost 1977 ::: 256 kb/s ::: VBR   1. Wind-Tales   2. Which Way The Wind Blows   3. Henry: Portraits From Tudor Times   (i) Fanfare   (ii) Lutes' Chorus   (iii) Misty Battlements   (iv) Henry Goes To War   (v) Death Of A Knight   (vi) Triumphant Return   9. God If I Saw Her Now 10. Chinese Mushroom Cloud 11. The Geese And The Ghost, Pt. 1 12. The Geese And The Ghost, Pt. 2 13. Collections 14. Sleepfall: The Geese Fly West 15. Master Of Time Anthony Phillips - Acoustic 12 String, 6 String, Classical Guitar, Electric 6 & 12 String Guitars, Basses, Dulcimer Guitar, Bazouki, Synthesizers, Mellotron, Harmonium, Piano, Organ, Celeste, Pin Piano, Drums, Glockenspiel, Timbales, Bells & Chimes, Gong. Vocal on "Collections" Mike Rutherford - Acoustic 12 String, 6 String, Classical Guitars, Electric 6 & 12 String Guitars, Basses, Organ, Drums, Timabales, Glockenspiel, Cymbals, Bells David Thomas - Classical Guitar on "Master of Time" Lazo Momulovich - Oboes, Cor Anglais Robert Phillips - Organ, Oboe Ronnie Gunn - Harmonium on "Master of Time" Jack Lancaster - Flute, Lyricon John Hackett - Flute Tom Newman - Hecklephone & Bulk Eraser Jeremy Gilbert - Conductor Wil Sleath - Flute, Piccolo, Recorder, Baroque Flute Rob Phillips - Oboe Kirk Trevor - Cello Nick Hayley - Violin Charlie Martin - Cello SEND BARNS ORCHESTRA - Orchestra Martin Westlake - Percussion, Tympani [Timpani] Humbert Ruse - Percussion, Horn Phil Collins - Vocals on "Which Way The Wind Blows" and "God If I Saw Her Now" Ralph Bernascone - Vocals, Soloist Vivienne McCauliffe - Vocals on "God If I Saw Her Now" Anthony Phillips - Producer, Engineer, Remastering Mike Rutherford - Producer, Engineer Michael Heyworth - Producer, Engineer Simon Heyworth - Producer, Engineer Anton Matthews - Engineer Peter Cross - Cover Design     Wise After The Event 1978 ::: 256 kb/s ::: VBR   1. Birdsong And Reprise   2. Greenhouse   3. Moonshooter   4. Now What (Are They Doing To My Little Friends) ?   5. Paperchase   6. Pulling Faces   7. Regrets   8. Squirrel   9. We're All As We Lie 10. Wise After The Event Anthony Phillips - Vocals, Harmonica The Vicar - Guitars, Keyboards, Sundries Jeremy Gilbert - Keyboards on "Greenhouse", Harp on "Now What ?" Perkin Alanbeck - Synthesiser on "Birdsong" Mel Collins - Soprano Sax on "We’re All As We Lie", Flutes on "Birdsong" Robin Phillips - Oboe John G. Perry - Bass (Wal custom) Michael Giles - Drums Humbert Ruse & Vic Stench - Drums & Bass on "Greenhouse" Rodent Rabble - Clicks, Claps and Crampons Rupert Hine - Percussion, Backing Vocals, Locks, Probs, Modes & Vibes Orchestra on "Regrets" Conducted by Gilbert Biberian Assembled by David Katz Arranged by A.P. Produced by Rupert Hine Peter Cross - Cover Artwork Re-issued on CD by VIRGIN RECORDS in 1991 The CD re-issue includes an extra track: "Squirrel", which was originally released as the B-side of the 7" single release of "We're All As We Lie"     Sides 1979 ::: 256 kb/s ::: VBR   1. Um & Aargh   2. I Want Your Love   3. Lucy Will   4. Side Door   5. Holy Deadlock   6. Souvenir   7. Sisters Of Remindum   8. Bleak House   9. Magdalen 10. Nightmare 11. Magdalen (instrumental) Anthony Phillips - Guitars, Keyboards The Vicar - Lead Vocals on "Um & Aargh", "Lucy Will" & "Holy Deadlock" Mel Collins - Tenor Sax on "Side Door" John Hackett - Flute on "Souvenir" John G. Perry - Bass Vic Stench - Cellos on "Lucy Will", Bass on 'Bleak House" Mike Giles - Drums Ray Cooper - Percussion Humbert Ruse - Percussion on "Lucy Will", Cor Anglais on "Sisters Of Remindum" Morris Pert - Congas on "Lucy Will" Frank Racotti - Timpani Dale Newman - Vocals, Lead Vocals on "Bleak House" Dan Owen - Vocals, Lead Vocals on "Side Door" & "I Want Your Love" Ralph Bernascone - Lead Vocals on "Nightmare" Hubert Rinse - Dungeon Vocals, Moravian Yam Slim Long - C# Crampons, Tuned Bicycle Clips Produced by Rupert Hine Peter Cross - Cover Artwork Re-issued on CD by VIRGIN RECORDS in 1990 & BLUEPRINT RECORDS in 1996 The CD re-issues include two extra tracks: "Souvenir" (originally the B-side to the single release of Um & Aargh) "Magdalen" (Instrumental version) (previously unreleased)     1984 1981 ::: 320 kb/s :::   1. Prelude '84   2. 1984 Part 1   3. 1984 Part 2   4. Anthem 1984 Anthony Phillips - Keyboards, Drumbox (Roland CR78), Occasional Guitar, Basic Percussion Richard Scott - Basic Percussion, Effects, Vocal Ideas Morris Pert - Percussion (Timps, Tambourine, Gong, Congas, Bell Tree, Vibra-Slap, Marimbas, Vibes etc) Produced and engineered by Anthony Phillips Assisted by Richard Scott Under The Stairs Productions - Cover Design Re-issued on CD by VIRGIN RECORDS in 1991     Invisible Men 1983 ::: 128 kb/s :::   1. Golden Bodies   2. The Women Were Watching   3. Traces   4. Exocet   5. Love In A Hot Air Balloon   6. Going For Broke   7. Falling For Love   8. Sally   9. I Want Your Heart 10. Guru 11. It's Not Easy 12. My Time Has Come 13. Trail Of Tears * 14. The Ballad Of Penlee * 15. Alex * Anthony Phillips - Vocals, Strat, Polymoog, Bass, ARP 2600, Organ, Piano, Colorama Electric Guitar, Yari Classical Guitar, Jupiter 8, Rickenbacker Electric 12-String, Mellotron, Editing Block, Tubular Bells, Fender Rhodes, Les Paul Guitar Richard Scott - Roland 808, Vocals, Scamp, Strat, Vocoder, Switches, Gate, Street Noises, Binoculars, Windows Martin Drover - Trumpet, Flugelhorn solo Bimbo Acock - Saxes Martin Robertson - Soprano Saxophone Malcolm Griffiths - Trombone Ralph Bernascone - Sarrusaphone Jonathan Snowden - Piccolo The Vicar - Church Organ Vic Stench - Bass, Contrabass, Camp Bass Paul Robinson - Drums Jeff Dunne - Drums Joji Hirota - Marimabas, Wood Blocks, Tambourine, Timps, Shakers, Jawbone, Cabasa, Bell-Tree Morris Pert - Tambourine, Kalimba Uti Koofreh - Backing Vocals All Tracks Composed by Anthony Phillips and Richard Scott except "Sally", "Guru" and "My Time Has Come" - Composed by Anthony Phillips Produced by Trevor Vallis, Anthony Phillips & Richard Scott Stephen Marsh - Cover Design Re-issued on CD by VIRGIN RECORDS in 1991 & BLUEPRINT RECORDS in 1996 CD re-issues include three extra tracks *     Harvest Of The Heart 1985 ::: 128 kb/s ::: LP's   1. Trail Of Tears   2. Esperansa   3. Salmon Leap   4. Flapjack   5. Bouncer   6. Beauty And The Beast   7. Amorphous, Cadaverous And Nebulous   8. Salmon's Last Sleepwalk   9. Erotic Strings 10. Bandido 11. Sistine 12. Lindsay 13. Over The Gate 14. The Sean And The Armadillo 15. Lights On The Hill Anthony Phillips - Guitar, Vocals     Private Parts & Pieces VI: Ivory Moon 1986 ::: 192 kb/s :::   1. Suite: Sea Dogs Motoring (i) Sunrise Over Sienna (ii) Basking Shark (iii) Sea Dogs' Air (iv) Safe Havens   2. Tara's Theme (From Masquerade)   3. Winter's Thaw   4. The Old House   5. Moonfall (From Masquerade)   6. Rapids   7. Let Us Now Make Love Anthony Phillips - Piano Produced by Anthony Phillips Peter Cross - Cover Artwork All Titles Composed by Anthony Phillips, except "Moonfall", Composed by Anthony Phillips and Rupert Hine Album is subtitled "Piano Pieces 1971-1985" Re-issued on CD by VIRGIN RECORDS in 1991 & BLUEPRINT RECORDS in 1996 CD Re-issues include an extra track - a solo piano version of the GENESIS song "Let Us Now Make Love"     Slow Waves, Soft Stars 1987 ::: 128 kb/s :::   1. Ice Flight: (i) Flight Of The Snow Petrel: Glacier Bay (ii) Flight Of The Whale-Birds: Blizzard Mountain (iii) Flight Of The Albatross: Ice Island (iv) White Heaven (v) Cathedral Of Ice   2. Beachrunner   3. End Of The Affair   4. The Golden Pathway   5. Behind The Waterfall   6. Carnival   7. Through The Black Hole   8. Pluto Garden   9. Sospirando 10. Elevenses 11. Goodbye Serenade 12. Bubble And Squeak 13. Vanishing Streets 14. Slow Waves, Soft Stars Anthony Phillips - Roland Jupiter 8, Casio CZ5000, ARP 2600, Polymoog, Yari Classical Guitar, Rudloff 8 String Guitar, Alavrez 12-string Guitar, Tom Drum Machine, Tibetan Bells & Chimes, Zither. Enrique Berro Garcia - Classical Guitar on "Beachrunner" and "End Of The Affair" Ralph Bernascone - Frying Pan on "Bubble & Squeak" Produced by Anthony Phillips Murray Brenman - Cover design All Titles Composed by Anthony Phillips Except "Beachrunner" and "End Of The Affair", Composed by Anthony Phillips and Enrique Berro Garcia This was the first of Ant's albums to receive a simultaneous release on LP and CD. Re-issued on CD by VIRGIN RECORDS in 1991 & BLUEPRINT RECORDS in 1996     Missing Links Volume One: Finger Painting 1989 ::: 128 kb/s :::   1. Force Majeure   2. Mountain Voices   3. Lord Of The Smoking Mirror   4. Sea Horses   5. Dungeons   6. Between The Rings   7. Evening Ascent   8. Streamer   9. After The Rain 10. Rottweiler 11. Sad Fish 12. A Song 13. God's Chosen Car Park Suite: (i) Processional (ii) Meditation (iii) Cave Painting 14. Tropical Moon Over Dorking Suite: (i) Estrangement (ii) Myra s Dream (iii) Reconciliation 15. Fountain Pool 16. C.Q. 17. Three Piece Suite: (i) To The Shrine (ii) Through The Forest (iii) Towards The Light 18. Boulevard Of Fallen Leaves 19. Land Of Dragons Suite: (i) Land Of Dragons (Part 1) (ii) Kites (iii) Harbour At Sunset (iv) Dance Of The Crabs (v) Sand Octopus & The King Crabs (vi) Do The Shrimps Know They re Chinese ? (vii) Land Of Dragons (Part 2) 20. And A Prayer 21. Tierra Del Fuego 22. Paradise Found Anthony Phillips - Keyboards, Piano, Guitars Produced by Anthony Phillips All Titles Composed by Anthony Phillips The original release of this album was as a private cassette release in a limited edition of 1000 copies Album is subtitled "A Collection Of Television And Library Music 1979-89" Re-issued on CD by VIRGIN RECORDS in 1991 & BLUEPRINT RECORDS in 1996     Sail The World 1994 ::: 256 kb/s ::: Part I   1. Opening Theme   2. Fast Work   3. Dark Seas   4. Cool Sailing   5. Wildlife Choir   6. I Wish This Would Never End   7. Salsa   8. Opening Theme (Demo Mix)   9. Roaring Forties 10. Lonely Whales 11. Icebergs 12. Majestic Whales 13. In The Southern Ocean 14. The Fremantle Doctor 15. Long Way From Home 16. Wildlife Flotilla 17. Big Combers 18. Cool Sailing II 19. Cape Horn 20. Amongst Mythical Birds 21. Salsa 22. Into The Tropics 23. In The Doldrums 24. Heading For Home & Victory Anthony Phillips - Keyboards, Guitars, Drum Machine Joji Hirota - Assorted Percussion (7, 21) Produced by Anthony Phillips VOICEPRINT RECORDS - Cover Design All Titles Composed by Anthony Phillips This CD is a compilation of Ant's music written and recorded for the TV coverage of the Whitbread Around The World Yacht Race     Private Parts & Pieces IX: Dragonfly Dreams 1996 ::: 256 kb/s ::: Part I   1. Openers   2. In The Valleys   3. Something Blue   4. Quango   5. Lostwithiel   6. Under The Ice   7. Sarah Blakeley’s Evening   8. She’ll Be Waiting   9. Still Time Part II 10. Hills Of Languedoc 11. Luigi Palta’s Confession 12. The Tears Of Pablo Paraguas 13. Melancholy Flower 14. Night Song 15. Chinese Walls 16. Old Faithful 17. Summer Ponds & Dragonflies 18. Lost And Found Anthony Phillips - Guitars, Keyboards, Vocals Quique Berro Garcia - Guitars Produced by Anthony Phillips Colin Lucas - Cover Design All Titles Composed by Anthony Phillips except "Something Blue", Composed by Anthony Phillips and Richard Scott and "Hills Of Languedoc", "Luigi Palta’s Confession", "The Tears Of Pablo Paraguas", "Melancholy Flower And Old Faithful" Composed by Anthony Phillips and Quique Berro Garcia     Gypsy Suite 1998 ::: 128 kb/s :::   1. Gypsy Suite: Movement I (First Light) Movement II (Siesta) Movement III (Evening Circle) Movement IV (The Crystal Ball)   2. Tarka: Movement I (The Early Years) Movement II (IIa Streams River And Salmon Hunting) Movement II (IIb Dunes And Estuary) Movement II (IIc Moonfield - Postscript) Anthony Phillips - Organ, Synthesizer, Guitar, Percussion, Piano, Guitar (12 String) Harry Williamson - Bass, Guitar, Percussion, Piano, Autoharp, Echo Anthony Phillips - Producer, Liner Notes Harry Williamson - Producer, Liner Notes     Private Parts & Pieces X: Soiree 1999 ::: 256 kb/s ::: VBR (tape's)   1. Sad Ballerina   2. Final Lights   3. Sultry Leaves   4. Fivers   5. Creation   6. Keepsake   7. Venetian Mystery   8. Scythia   9. Cantilena 10. The Oregon Trail 11. Passacaglia 12. Gazebo 13. Passepied 14. Fallen Flower (dedicated to the memory of Diana, Princess of Wales) 15. Noblesse Oblige 16. Hope Of Ages 17. Obezag 18. Rain Suite 19. After You Left 20. Summer's Journey Anthony Phillips - Piano Produced by Anthony Phillips Brenda Brooks - Cover Design All Titles Composed by Anthony Phillips Album sub-titled "A Collection Of Pieces For Solo Piano"     Field Day 2005 ::: 320 kb/s ::: VBR (tape's) Disc One   1. The Voyage Out   2. High Fives   3. Credo   4. Cerise   5. Runaway Horse   6. Home Sweet Home   7. Steps Retraced   8. Field Day   9. Nocturne 10. Tryst 11. Girl In The Gallery 12. Bel Ami 13. Concerto De Alvarez 14. Lifer 15. Chasing The Light 16. Parlour Suite I 17. Parlour Suite II 18. Parlout Suite III 19. Parlour Suite IV 20. Parlous Suite V 21. Parlour Suite VI 22. Parlous Suite VII 23. Parlour Suite VIII 24. Swoon 25. River Of Life 26. Momento 27. Open Road 28. White Spider 29. Half Way Out Disc Two   1. Weeping Willow   2. The Love Not Shared   3. Sojourn   4. Dawn Over The Field Of Eternity   5. Fallen City   6. Rain On Sag Harbour   7. Days Of Grace   8. Timeline   9. Oubliette 10. Tania 11. Babbling Brook 12. Shimmering Sharon 13. The Room In Tierra Del Fuego 14. Mudlark 15. Tearaway 16. Midnight Blue 17. Evening Shroud 18. Rapscallion 19. Beyond The Castle Walls 20. Forgotten Pathway 21. Fairy Ring 22. Largo D'Amour 23. Whippersnapper 24. Kissing Gate 25. To The Lighthouse 26. Driftwood 27. Festoons And Billows 28. Flotsam And Jetsam 29. Sunfish Shallows 30. Smart Alec 31. Prayer For Natalie 32. Out And Beyond Anthony Phillips - 12-String Acoustic Guitar, Acoustic Guitar, Guitar, Mandolin, Cittern, Guitar (Classical), Liner Notes, Charango, Bazouki Produced by Anthony Phillips Simon Heyworth - Mastering All Titles Composed by Anthony Phillips Mike RUTHERFORD ::: 256 kb/s ::: VBR     Smallńreep's Day 1980   1. Moonshine   2. Time And Time Again   3. Romani   4. Every Road   5. Overnight Job   6. Smallcreep's Day: i. Between The Tick And The Tock ii. Working In Line iii. After Hours iv. Cats And Rats (In This Neighbourhood) v. Smallcreep Alone vi. Out Into The Daylight vii. At The End Of The Day Mike Rutherford - Bass, Guitar, Composer, Vocals Anthony Phillips - Keyboards Simon Phillips - Drums Morris Pert - Percussion Noel McCalla - Vocals David Hentschel - Producer, Engineer Assisted by David Bascombe Recorded at Polar Studios, Stockholm Mixed at MAISON ROUGE STUDIOS, London Inspired by the book "Smallcreep's Day" by Peter Currel Brown Thanks to Dave and Ant for all their support     Acting Very Strange 1982   1. Acting Very Strange   2. A Day To Remember   3. Maxine   4. Halfway There   5. Who's Fooling Who   6. Couldn't Get Arrested   7. I Don't Wanna Know   8. Hideaway Mike Rutherford - Bass, Guitar, Keyboards, Vocals Stewart Copeland - Drums Daryl Stuermer - Guitar Noel McCalla - Vocals, Vocals (bckgr) John Alexander - Guitar Gary Barnacle - Saxophone Paul Fishman - Keyboards Martyn Ford - Strings, Arranger, Conductor Steve Gould - Vocals, Vocals (bckgr) Dale Newman - Vocals, Vocals (bckgr) Peter Phipps - Drums Peter Robinson - Keyboards Peter Robinson - Keyboards Luke Tunney - Trumpet Mike Rutherford - Producer Nick Launay - Engineer Geoff Callingham - Assisted Howard Grey & Gavin - Tape Opps Mike & The MECHANICS ::: 320 kb/s ::: VBR     Living Years 1988   1. Nobody's Perfect   2. The Living Years   3. Seeing Is Believing   4. Nobody Knows   5. Poor Boy Down   6. Blame   7. Don't   8. Black & Blue   9. Beautiful Day 10. Why Me Mike Rutherford - Guitar, Bass Alan Murphy - Guitar Adrian Lee - Keyboards Sal Gallina - Yamaha WX7 Peter Van Hooke - Drums Louis Jardin - Percussion Martin Ditcham - Percussion Paul Carrack - Vocals Paul Young - Vocals Alan Carvell - Backing Vocals Chris Neil - Backing Vocals KING's HOUSE SCHOOL CHOIR led by the late Michael Stuckey Produced by Christopher Neil & Mike Rutherford Engineered by Nick Davis Assisted by Paul Gumersall, Terry Irwin Technical Assistance Geoff Callingham, Mike Bowen Sleeve Design Halpin Grey Vermeir Black & White Photography Geoff Halpin Colour Portraits John Swannell Thanks to: At the Studio Dale Newman, Steve Jones, Angela Jewel Thanks to At the Office Tony Smith, Carol Willis Impey, Vicky Andrews, Especially to Angie Plus some extra studio help. Including: Black & Blue Riff played by Phil Collins & MR Recorded by Tony Banks at The Farm Surrey 4/18 - 8/18 1988 Recorded at The FARM, Surrey, April 18th - August 18th 1988 Notes: "Black & Blue"'s riff is from the Invisible Touch sessions. Often, Tony Banks turns his sampler on while Genesis is jamming and no one knows he is doing it, to try to capture a mood. He recorded this riff Collins and Rutherford had going on his sampler     Word Of Mouth 1991   1. Get Up   2. Word Of Mouth   3. A Time And Place   4. Yesterday, Today, Tomorrow   5. The Way You Look At Me   6. Everybody Gets A Second Chance   7. Stop Baby   8. My Crime Of Passion   9. Let's Pretend It Didn't Happen 10. Before (The Next Heartache Falls) Mike Rutherford - Guitar, Bass Tim Renwick - Guitars Adrian Lee - Keyboards Ian Wherry - Keyboards Steve Piggot - Keyboards Phil Todd - Saxophone Martin Ditcham - Percussion Pino Paladino - Bass Peter Van Hooke - Drums Paul Carrack - Vocals, Keyboards Paul Young - Vocals LONDON COMMUNITY GOSPEL CHOIR - Backing on Vocals on "Before (The Next Heartache Falls)" KITSON HALL AUDIENCE on "Word Of Mouth" Produced by Christopher Neil & Mike Rutherford and Russ Titelman Recorded & Mixed by Rob Eaton Assisted by Mark Robinson Jeremy Wheatley Shaun De Fee Geoff Callingham - Technical Assistance Mike Bowen - Technical Assistance Patrick Williams - Co-ordination Ted Jensen - Mastered Mike Owen - Photography Design and Art Direction by ICON Thanks to: At The FARM - Dale Newman Equipment - Steve Jones, Angela Jewel At the Office - Tony Smith, Carol Willis Impey, Vicky Andrews Recorded at The FARM, Surrey OLYMPIC STUDIOS, London     Beggar On A Beach Of Gold 1995   1. A Beggar On A Beach Of Gold   2. Another Cup Of Coffee   3. You've Really Got A Hold On Me   4. Mea Culpa   5. Over My Shoulder   6. Someone Always Hates Someone Chance   7. The Ghost Of Sex And You   8. Web Of Lies   9. Plain And Simple 10. Something To Believe In 11. A House Of Many Rooms 12. I Believe (When I Fall In Love It Will Be Forever) 13. Going Going .... Home Mike Rutherford - Guitar, Bass, Keyboards Clem Clempson - Guitar Adrian Lee - Keyboards B.A. Robertson - Keyboards Wix - Keyboards Peter Van Hooke - Drums Gary Wallis - Drums Andy Newmark - Drums on "I Believe" Paul Carrack - Vocals, Keyboards Paul Young - Vocals Tessa Niles - Backing Vocals on "Over My Shoulder" Katie Cassoon - Backing Vocals on "Over My Shoulder" Produced by Christopher Neil & Mike Rutherford Paul Gomersall - Engineer Mark Robinson - Assistant Pete Beachill - Brass Arrangements ("Going,Going.... Home") Drum Loop Programming on "You've Really Got A Hold On Me" by Rich Mendelson and Dave Frangioni "A Beggar On A Beach Of Gold" remixed by Nick Davis "I Believe (When I Fall In Love It Will Be Forever)" and "You've Really Got A Hold On Me" Recorded and Mixed by Nick Davis Mastered by Bob Ludwig at GATEAWAY MASTERING STUDIOS, Portland Maine Technical Assistance - Geoff Callingham and Mike Bowen Programming - Dale Newman Catering - Angela Photography - David Scheinmann Artwork - HILLS ARCHER INK Thanks to: Tony Smith & Carol Willis Impey at HIT & RUN MUSIC Recorded at The FARM, Surrey Notes: First UK single will be (5), on Feb. 7 1995 David GILMOUR ::: 256 kb/s ::: VBR except * ::: 192 :::     David Gilmour 1978   1. Mihalis   2. There's No Way Out Of Here   3. Cry From The Street   4. So Far Away   5. Short And Sweet   6. Raise My Rent   7. No Way   8. It's Deafinitely   9. I Can't Breathe Anymore David Gilmour - Guitar, Piano, Keyboards, Vocals Steve Rance - Keyboards Mick Weaver - Piano, Keyboards John Wilson - Drums Willie Wilson - Percussion, Drums, Photography Carlena Williams - Vocals, Vocals (bckgr) Rick Wills - Bass, Vocals Shirley Roden - Vocals, Vocals (bckgr) Debbie Dass - Vocals Debbie Doss - Vocals (bckgr) David Gilmour - Producer, Photography, Cover Design John Etchells - Engineer Nick Griffiths - Engineer Patrick Jaunead - Assistant Engineer Jill Furmanovsky - Photography Ginger Gilmour - Photography     About Face 1984   1. Until We Sleep   2. Murder   3. Love On The Air   4. Blue Light   5. Out Of The Blue   6. All Lovers Are Deranged   7. You Know I'm Right   8. Cruise   9. Let's Get Metaphysical 10. Near The End David Gilmour - Guitar, Vocals Roy Harper - Vocals Steve Winwood - Organ, Piano, Keyboards Jon Lord - Synthesizer Anne Dudley - Synthesizer NATIONAL PHILHARMONIC ORCHESTRA - Strings Sam Brown - Vocals Vicki Brown - Vocals Simon Clarke - Horn Ray Cooper - Percussion Mickey Feat - Vocals KICK HORNS - Horn Luis Jardim - Percussion Bob Ezrin - Keyboards Ian Kewley - Piano, Keyboards, Organ (Hammond) Roddy Lorimer - Horn Pino Palladino - Bass, Guitar (Bass) Jeff Porcaro - Percussion, Drums Steve Rance - Keyboards, Programming, Fairlight Tim Sanders - Horn Barbara Snow - Horn Louis Jardine - Percussion Simon Clerk - Horn Rob Ezrin - Keyboards David Gilmour - Producer Bob Ezrin - Producer, Arranger Bob Finn - Producer Eric Tomlinson - Engineer Kit Woolven - Engineer Andrew Jackson - Engineer Doug Sax - Mastering James Guthrie - Mixing Bob Parr - Mixing Assistant Mike Reese - Mastering Simon Sullivan - Assistant Engineer Mark Frank - Assistant Engineer Robert Hrycyna - Assistant Engineer, Mixing Assistant Kevin Whyte - Assistant Engineer Michael Kamen - Arranger Jill Gurmanovsky - Photography Nick MASON ::: 320 kb/s ::: VBR     Nick Mason's Fictitious Sports 1981   1. Can't Get My Motor To Start   2. I Was Wrong   3. Siam   4. Hot River   5. Boo To You Too   6. Do Ya_   7. Wervin'   8. I'm A Mineralist   9. I'm A Mineralist Nick Mason - Harmonica, Percussion, Piano, Drums, Clavinet Chris Spedding - Guitar Terry Adams - Harmonica, Piano, Keyboards, Clavinet Carla Bley - Keyboards, Producer Michael Mantler - Trumpet, Engineer Gary Valente - Trombone, Vocals Howard Johnson - Tuba Gary Windo - Flute, Clarinet (Bass), Sax (Tenor), Vocals, Wind, Tenor (Vocal) Steve Swallow - Bass Carlos Ward - Vocals Robert Wyatt - Vocals Vincent Chancey - Vocals Karen Kraft - Vocals Denotra Sharpe - Vocals Earl Mcintyre - Vocals Nick Mason - Producer, Assistant Engineer James Guthrie - Mixing Geoff Halpin - Design     Profiles 1985   1. Malta   2. Lie For A Lie   3. Rhoda   4. Profiles, Part 1 & 2   5. Israel   6. And The Address   7. Mumbo Jumbo   8. Zip Code   9. Black Ice 10. At The End Of The Day 11. Profiles, Part 3 Nick Mason Rick Fenn Mel Collins - Saxophone (6, 7, 9) Craig Pruess - Emulator Brass (1) David Gilmour - Vocals (2) Maggy Railey - Vocals (2) Danny Peyronel - Vocals (5) Nick Mason - Producer Rick Fenn - Producer, Engineer Nick Griffiths - Engineer Jeremy Pemberton - Cover Design Roger WATERS ::: 256 kb/s ::: VBR     The Pros And Cons Of Hitchhiking 1984   1. 4:30 AM (Apparently They Were Travelling Abroad)   2. 4:33 AM (Running Shoes)   3. 4:37 AM (Arabs With Knives And West German Skies)   4. 4:39 AM (For The First Time Today, Part II)   5. 4:41 AM (Sexual Revolution)   6. 4:47 AM (The Remains Of Our Love)   7. 4:50 AM (Go Fishing)   8. 4:56 AM (For The First Time Today, Part I)   9. 4:58 AM (Dunroamin' Duncarin' Dunlivin') 10. 5:01 AM (The Pros and Cons Of Hitchhiking) 11. 5:06 AM (Every Stranger's Eyes) 12. 5:11 AM (The Moment Of Clarity) Roger Waters - Rhythm Guitar, Bass Guitar, Vocals Eric Clapton - Lead Guitar Andy Bown - Hammond Organ, 12 String Guitar Michael Kamen - Piano Ray Cooper - Percussion David Sanborn - Sax Raphael Ravenscroft - Horns Kevin Flannagan - Horns Vic Sullivan - Horns Andy Newmark - Drums Madelinn Bell - Backing Vocals Katie Kissoon - Backing Vocals Doreen Chanter - Backing Vocals The Actors: (in order of appearance) Andy Quigley - Welshman in Operating Theatre Beth Porter - Wife Roger Waters - Man Cherry Vanilla - Hitchhiker and Waitress Manning Redwood - Truck Driver Ed Bishop - Truck Driver Jack Palance - Hells Angel Madelynn Bell - Hells Angel's Girlfriend Michael Kamen: Conducted and Arranged The NATIONAL PHILHARMONIC ORCHESTRA     Radio KAOS 1987   1. Radio Waves   2. Who Needs Information   3. Me Or Him   4. The Powers That Be   5. Sunset Strip   6. Home   7. Four Minutes   8. The Tide Is Turning (After Live Aid) Roger Waters - Vocals, Guitars, Bass Guitar, Keyboards Andy Fairweather-Low - Electric Guitars Jay Stapley - Electric Guitar Nick Smith - DX7, Emu Matt Irving - Hammond Organ Mel Collins - Saxophone, Horns John Phirkell - Horns Ian Ritchie - Drum, Fairlight Programming, Piano, Keyboards, Horns Graham Broad - Drums, Percussion John Linwood - Drums Paul Carrack - Vocals Claire Torry - Vocals Suzanne Rhatigan - Backing Vocals Katie Kissoon - Backing Vocals Doreen Chanter - Backing Vocals Madeline Bell - Backing Vocals Steve Langer - Backing Vocals Vicky Brown - Backing Vocals The PONTARDDULAIS MALE VOICE CHOIR - Backing Vocals The Actors: (in order of appearance) Jim Ladd Andy Quigley Shelly Ladd Jack Snyder Ron Weldy JJ Jackson Jim Rogers John Taylor Harry Waters India Waters     Amused To Death 1992   1. The Ballad Of Bill Hubbard   2. What God Wants, Part I   3. Perfect Sense, Part I   4. Perfect Sense, Part II   5. The Bravery Of Being Out Of Range   6. Late Home Tonight, Part I   7. Late Home Tonight, Part II   8. Too Much Rope   9. What God Wants, Part II 10. What God Wants, Part III 11. Watching TV 12. Three Wishes 14. It's A Miracle 15. Amused To Death Roger Waters - Vocals, Synthesizers, Bass, 12-string guitar, Acoustic Guitar Jeff Beck - Guitars B.J. Cole - Pedal Steel Guitar Geoff Whitehorn - Guitars Andy Fairweather-Low - Guitars, Rickenbacker 12 String, Backing Vocals Tim Pierce - Guitars Bruce Gaitsch - Acoustic Guitar Tim Pierce - Guitar Steve Lukather - Guitars Rick DiFonso - Guitars Patrick Leonard - Keyboards, Percussion Programming, Choir Arrangement, Synthesizers, Hammond Organ, Acoustic Piano John Brundrick - Hammond Organ James Johnson - Bass Randy Jackson - Bass John Patitucci - Upright Bass, Electric Bass John Pierce - Bass Graham Broad - Drums, Percussion Jeff Porcaro - Drums Denny Fongheiser - Drums Luis Conte - Percussion Brian Macleod - Snare, Hi Hat Steve Sidwell - Cornet Guo Yi & The PEKING BROTHERS - Dulcimer, Lute, Zhen, Oboe, Bass Jessica and Jordan Leonard - Screaming Rita Coolidge - Vocals Don Henley - Vocals Jon Joyce - Backing Vocals Stan Laurel - Backing Vocals Jay Haas - Backing Vocals Katie Kissoon - Backing Vocals Doreen Chanter - Backing Vocals N'Dea Davenport - Backing Vocals Natalie Jackson - Backing Vocals Lynn Fiddmont-Linsey - Backing Vocals LONDON WELSH CHORALE - Backing Vocals Marv Albert - "Sportscaster" Vocal Charles Fleischer - TV Evangelist Vocal John Dupree - String Arrangements and Conduction NATIONAL PHILHARMONIC ORCHESTRA - Orchestrations, Arranged and Conducted by Michael Kamen Rick WRIGHT ::: 320 kb/s ::: VBR     Zee: Identity 1984   1. Confusion   2. Voices   3. Private Person   4. Strange Rhytm   5. Cuts Like A Diamond   6. By Touching   7. How Do You Do It   8. Seems We Were Dreaming Rick Wright - Keyboards, Percussion, Fairlight, Background Vocals Dave Harris - Guitars, Keyboards, Percusson, Fairlight, Lead Vox Produced by Richard Wright & Dave Harris Tim Palmer - Co-production Engineered by Tim Palmer Overdubs and Mixdown by UTOPIA (London) Artwork by Dave Harris Photography by Paul Cox ::: 256 kb/s ::: VBR     Broken China 1996   1. Breaking Water   2. Night Of A Thousand Furry Toys   3. Hidden Fear   4. Runaway   5. Unfair Ground   6. Satellite   7. Interlude   8. Woman Of Custom   9. Black Cloud 10. Far From The Harbour Wall 11. Drowning 12. Reaching For The Rail 13. Blue Room In Venice 14. Sweet July 15. Along The Shoreline 16. Breakthrough Richard Wright - Vocal, keyboards Tim Renwick - Guitar Dominic Miller - Guitar Steve Bolton - Guitar Kate St. John - Oboe Sian Bell - Cello Pino Palladino - Bass Manu Katche - Drums Sinead O'Connor - Vocal Laurie Latham - Producer, Engineer Anthony Moore - Arranger, Programming, Producer, Engineer Jake Davies - Assistant Engineer Max Hayes - Assistant Engineer Graeme Stewart - Assistant Engineer Jason Reddy - Computers/Sound Tracks James Guthrie - Mixing Doug Sax - Mastering Ron Lewter - Mastering Julien Mills - Artwork Finlay Cowan - Artwork Peter Curzon - Cover Design Storm Thorgerson - Cover Design Tony May - Photography PINK FLOYD ::: 256 kb/s ::: VBR (bootleg)     Live 1975   1. Dogs   2. Have A Cigar   3. Pigs   4. Shine On You Crazy Diamond, Pt.1   5. Shine On You Crazy Diamond, Pt.2 Tribute To PINK FLOYD ::: 256 kb/s ::: VBR except * ::: 320 kb/s ::: VBR     The Songs Of PINK FLOYD 2002   1. Shine On You Crazy Diamond Performed by Steve Lukather / Marco Mendoza   2. Money Performed by Tommy Shaw / Ritchie Kotzen / Tony Levin   3. Comfortably Numb Performed by Billy Sherwood / Chris Squire / Alan White   4. Welcome To The Machine Performed by Doug Pinnick / Gary Hoey / Mike Porcaro   5. Have A Cigar Performed by Bobby Kimball / Bob Kulick / Bruce Kulick   6. Us And Them Performed by Soto, Jeff Scott / Jimmy Haslip / Scotty Page   7. Run Like Hell Performed by Jason Scheff / Dweezil Zappa / Tony Franklin   8. Any Colour You Like Performed by Robben Ford / Tony Franklin / Aynsley Dunbar   9. Breathe (In The Air) Performed by Robin McAuley / Baxter, Jeff "Skunk" 10. Young Lust Performed by Glenn Hughes / Elliot Easton / Tony Franklin 11. Another Brick In The Wall, Pt. 2 Performed by Fee Waybill / Ronnie Montrose / Mike Porcaro Steve Lukather - Guitar (1), Vocals (1) Richie Kotzen - Guitar (2) Billy Sherwood - Guitar (3), Keyboards (3, 9, 10), Vocals (3) Jordan Berliant - Acoustic Guitar (3) Bob Kulick - Guitar (5), Rhythm Guitar (4, 6, 8-11) Gary Hoey - Guitar (4) Bruce Kulick - Guitar (5) Dweezil Zappa - Guitar (7) Robben Ford - Guitar (8) Jeff 'Skunk' Baxter - Guitar (9) Elliot Easton - Guitar (10) Derek Sherinian - Keyboards (4) Tony Kaye - Keyboards (7) Steve Porcaro - Keyboards (8) Scott Walton - Keyboards (8) Edgar Winter - Saxophone (2) Scott Page - Saxophone (6) Marco Mendoza - Bass (1) Tony Levin - Bass (2) Chris Squire - Bass (3), Vocals (3) Mike Porcaro - Bass (4, 5, 11) Jimmy Haslip - Bass (6) Tony Franklin - Bass (8, 10) Philip Soussan - Bass (9) Vinnie Colaiuta - Drums (1) Mike Baird - Drums (2) Alan White - Drums (3) Greg Bissonette - Drums (4, 5, 11) Pat Torpey - Drums (6) Aynsley Dunbar - Drums (8, 10) Eric Singer - Drums (9) Tommy Shaw - Vocals (2) Doug Pinnick - Vocals (4) Bobby Kimball - Vocals (5) Jeff Scott Soto - Vocals (6) Jason Scheff - Vocals (7) Robin McAuley - Vocals (9) Glenn Hughes - Vocals (10) Ronnie Montrose - Guitar (11) Fee Waybill - Vocals (11) David Glen Eisley - Background Vocals (11) Alex Ligertwood - Background Vocals (11) Billy Sherwood - Producer, Engineer, Mixing Bob Kulick - Producer Kris Solem - Mastering     Dub Side Of The Moon * 2003   1. Speak To Me / Breathe In The Air   2. On The Run   3. Time   4. Great Gig In The Sky   5. Money   6. Us And Them   7. Any Colour You Like   8. Brain Damage   9. Eclipse The Project – 3 years in the making - features Corey Harris, Frankie Paul, The MEDITATIONS, Sluggy Ranks, Dr. Israel, Gary "Nesta" Pine, RANKING JOE and others. Release coincides with 30th anniversary of original album. On February 18, EASY STAR RECORDS will release DUB SIDE OF THE MOON, an ambitious reinvention of PINK FLOYD’s classic The Dark Side Of The Moon album as envisioned by the label’s in-house production team of Michael G and Victor Axelrod a.k.a. Ticklah, who make up the EASY STAR All-Stars. The album, three years in the making, features vocal contributions from roots / blues stalwart Corey Harris, as well as a virtual who’s who of modern reggae artists: top dancehall veteran Frankie Paul, WAILERS singer Gary “Nesta” Pine, beloved harmony trio The MEDITATIONS, Brooklyn pacesetter Dr. Israel, legendary toaster RANKING JOE, frequent EASY STAR contributor Sluggy Ranks, and talented newcomers Kirsty Rock and DOLLAMAN. On the instrumental side, DUB SIDE features a gathering of musicians at the vanguard of NYC’s reggae, soul, afro-beat and electronic dance communities. DUB SIDE’s personnel have contributed to recordings by the likes of Gil-Scott Heron, Antibalas AFROBEAT ORCHESTRA, The SOUL PROVIDERS, The DAKTARIS, ROOTS COMBINATION, KING CHANGO, and TRU MYSTIC SOUND SYSTEM, among others. The idea for DUB SIDE OF THE MOON was first hatched in 1999 by EASY STAR RECORDS vice president Lem Oppenheimer. PINK FLOYD’s challenging masterpiece had been one of his favorite albums as a teenager, but after years as a reggae obsessive, he imagined a re-working of the original that would echo Dark Side’s album artwork—refracting PINK FLOYD’s music vision through a prism of reggae’s rich rhythmic and instrumental possibilities. Soon, the other EASY STAR principals, Eric Smith, Michael Goldwasser, and Remy Gerstein, along with ESAS keyboardist/producer Ticklah, joined Oppenheimer in exploring these possibilities. They found PINK FLOYD’s original compositions to be a natural conduit for their reggae/dub sensibilities. Four years later, as the original Dark Side approaches its 30th anniversary, the ESAS have emerged with a fascinating reggae version of the album that captures all of the resonant nuances of the original (right down to the “Wizard of Oz” synchronicity). DUB SIDE is an ambitious experiment in reggae rhythms and trip-hop sounds and a remarkably elemental complement to the original. As producers and instrumentalists, Michael G. and Ticklah were careful to match the spoken interludes, sound effects, and timing of PINK FLOYD's original, while still twisting the music into a completely fresh new vision.     Back Against The Wall   (2 CD) 2005 Disc One   1. In The Flesh Performed by Adrian Belew / Alan White / Keith Emerson / Gary Green / John Giblin / Billy Sherwood / Michael Sherwood   2. The Thin Ice Performed by Ian Anderson / Tony Levin / Gary Green / Jay Schellen / Billy Sherwood   3. Another Brick In The Wall, Pt. 1 Performed by Steve Morse / Billy Sherwood   4. Happiest Days Of Our Lives Performed by Billy Sherwood / Vinnie Colaiuta   5. Another Brick In The Wall, Pt. 2 Performed by Fee Waybill / Ronnie Montrose / Mike Porcaro / Alex Ligertwood / David Glenn Isley / Greg Bissonette / Billy Sherwood / The MILTIKAN MUSICAL THEATER CHILDREN's CHOIR   6. Mother Performed by John Wetton / Adrian Belew / Alan White / Billy Sherwood   7. Goodbye Blue Sky Performed by Steve Howe / Billy Sherwood / Del Palmer   8. Empty Spaces Performed by Billy Sherwood / Robby Krieqer   9. Young Lust Performed by Glenn Hughes / Elliot Easton / Tony Franklln / Aynsley Dunbar / Bob Kulick / Billy Sherwood 10. One Of My Turns Performed by Tommy Shaw / Larry Fast / Jay Schellen / John Giblin 11. Don't Leave Me Now Performed by Tommy Shaw / Robby Krieger / Jay Schellen / Billy Sherwood / Geoff Downes 12. Another Brick In The Wall, Pt. 3 Performed by Steve Lukather / Tony Levin / Jay Schellen / Steve Porcaro 13. Goodbye Cruel World Performed by Billy Sherwood / Tony Levin Disc Two 14. Hey, You Performed by John Wetton / Steve Lukather / Tommy Shaw / Alan White / Gary Green / Geoff Downes / Billy Sherwood 15. Is There Anybody Out There ? Performed by Adrian Belew / Billy Sherwood / Ian Anderson / Michael Sherwood 16. Nobody Home Performed by Rick Wakeman / Billy Sherwood 17. Vera Performed by Tommy Shaw / Steve Howe / Billy Sherwood 18. Bring The Boys Back Home Performed by Billy Sherwood / Jay Schellan / Michael Sherwood 19. Comfortably Numb Performed by Chris Squire / Alan White / Billy Sherwood / Jordan Berliant 20. Show Must Go On Performed by Adrian Belew / Vinnie Colaiuta / Billy Sherwood / Michael Sherwood 21. In The Flesh Performed by Billy Sherwood / Keith Emerson / Vinnie Colaiuta / Gary Green / John Giblin / Michael Sherwood 22. Run Like Hell Performed by Jason Scheff / Dweezil Zappa / Tony Kaye / Aynsley Dunbar / Bob Kulick / Billy Sherwood 23. Waiting For The Worms Performed by Billy Sherwood / Tony Levin / Vinnie Colaiuta / Gary Green / Keith Emerson / Jim Ladd / Michael Sherwood 24. Stop Performed by Billy Sherwood 25. The Trial Performed by Malcolm McDowell / Billy Sherwood 26. Outside The Wall Performed by Billy Sherwood / Jim Ladd / Michael Sherwood / Jay Schelien Billy Sherwood - Keyboards (1-5, 7-9, 13, 15, 17, 19, 20, 22, 23, 26), Electric Guitar (3, 6), Acoustic Guitar (6), Guitars (4, 19, 20, 23), Bass (3, 4, 8, 11, 15, 17, 20), Piano (24), Orchestral Keyboards (16, 18, 25), Lead Vocal (15, 16, 18, 21, 24), Vocals (1, 4, 7, 8, 13, 14, 19, 20, 23, 25, 26), Backing Vocals (2) Adrian Belew - Lead Guitar (6), Acoustic Guitars (15), Lead Vocal (1, 20) Alan White - Drums (1, 6, 14, 19) Keith Emerson - Organ (1), Keyboards (21), Organ Solo (23) Gary Green - Guitars (1, 2, 21, 23), Electric Guitars (14) John Giblin - Bass (1, 10, 21) Michael Sherwood - Vocals (1), Backing Vocals (15, 18, 20, 21, 23), Vocals (26) Ian Anderson - Flute (2, 15), Vocals (2) Tony Levin - Bass (2, 12, 13, 23), Stick (23) Jay Schellen - Drums (2, 10-12), Snare Drum (18), Percussion (18), Vocals (26), Backing Vocals (18) Steve Morse - Lead Guitar (3) Vinnie Colaiuta - Drums (4, 20, 21, 23) Fee Waybill - Lead Vocals (5) Ronnie Montrose - Lead Guitar (5) Mike Porcaro - Bass (5) Alex Ligertwood - Backing Vocals (5) David Glenn Eisley - Backing Vocals (5) Greg Bissonette - Drums (5) John Wetton - Bass (6, 14), Lead Vocal (14), Vocals (6) Steve Howe - Acoustic Guitars (7, 17) Del Palmer - Bass (7) Robby Krieqer - Guitars (8) Glenn Hughes - Vocals (9) Elliot Easton - Lead Guitar (9) Tony Franklln - Bass (9) Aynsley Dunbar - Drums (9, 22) Bob Kulick - Electric Guitar (9) Tommy Shaw - Guitars (10), Acoustic Guitar (14), Lead Vocal (10, 11, 17) Larry Fast - KeyboRobby Krieger - Guitarsards (10) Robby Krieger - Guitars (11) Geoff Downes - Keyboards (11, 14) Steve Lukather - Lead Guitar (14), Lead Vocal (12) Steve Porcaro - Keyboards (12) Rick Wakeman - Piano (16) Chris Squire - Lead Vocal, Bass (19), bass (19) Jordan Berliant - Additional Acoustic Guitars (19) Jason Scheff - Bass (22), Vocals (22) Dweezil Zappa - Lead Guitar (22) Tony Kaye - Keyboard Solo (22) Bob Kulick - Electric Guitars (22) Jim Ladd - Ranting & Raving (23), Narration (26) Malcolm McDowell - Lead Vocal (25) The MILTIKAN MUSICAL THEATER CHILDREN's CHOIR Conducted by Leo Krubsack Voice Actors: Malcom McDowell, Michi Sherwood, Billy Sherwood, Michael Sherwood, Neev Askin Produced by Billy Sherwood, except for "Run Like Hell", "Young Lust", "Another Brick In The Wall, Part 2" and "Comfortably Numb" Produced by Bob Kulick and Billy Sherwood Recorded and Mixed by Billy Sherwood; studio technicians: Mark Fergesen, Rick Luxumberg Mastered by Kris Solem Additional Engineering: Rob Aubrey for John Wetton, Ken Latchney for Adrian Belew, Greg Epps for Steve Howe, Erik Jordan for Rick Wakeman Art Direction - Giovanni Rodriguez All Tracks (Waters) WARNER TAMERLANE PUBLISHING Co. except "Young Lust", "Comfortably Numb", "Run Like Hell" (Waters / Gilmore) PINK FLOYD MUSIC PUBLISHER / WARNER TAMERLANE PUBLISHING Co. and "The Trial" (Waters / Ezrin) WARNER TAMERLANE PUBLISHING Co.     Return To The Dark Side Of The Moon * 2006   1. Speak To Me / Breathe In The Air   2. On The Run   3. Time   4. Great Gig In The Sky   5. Money   6. Us And Them   7. Any Colour You Like   8. Brain Damage   9. Eclipse Exclusive Bonus Original Track 10. Where We Belong Billy Sherwood - Piano (3), Organ (3-5, 7), Rhodes (5), Guitar (7, 10), Steel Guitar (5), Bass (4, 10), Orchestral Keyboards (4, 10), Vocals (3, 9, 10), Backing Vocals (8) Jeff 'Skunk' Baxter - Guitars (1), Pedal Steel (1) Robby Krieger - Guitars (3, 8), Sitar (8, 10) Gary Green - Guitars (3, 5), Vocals (3) Steve Howe - Steel Guitar (4) Dweezil Zappa - Lead Guitar (6) Bob Kulick - Guitar (6) Robben Ford - Guitars (7) Peter Banks - Guitars (9) Larry Fast - Keyboards (2) Steve Porcaro - Keyboards (7) Geoff Downes - Keyboards (8) David Sancious - Rhodes (3) Tony Kaye - Organ (1, 6, 9), Rhodes (1), Keyboards (6) Rick Wakeman - Piano (4) Edgar Winter - Sax (5) Scotty Page - Sax (6) John Giblin - Bass (1) Colin Moulding - Bass (3), Vocals (8) Tony Levin - Bass (5) Jimmy Haslip - Bass (6) Tony Franklin - Bass (7) Del Palmer - Bass (8) John Wetton - Bass (9), Vocals (6) Alan White - Drums (1), Percussion (2), Roto Toms (3) Jay Schellen - Drums (3, 4) Bill Bruford - Drums (5) Pat Mastelotto - Drums (6) Aynsley Dunbar - Drums (7) Vinnie Colaiuta - Drums (8, 9) Adrian Belew - Vocals (1) Malcolm McDowell - Voices (1) C.C. White - Vocals (4, 9), Backing Vocals (3) Tommy Shaw - Vocals (5) Michael Sherwood - Backing Vocals (3, 6, 8) Produced by Billy Sherwood except "Any Colour You Like" Produced by Bob Kulick and Billy Sherwood Recorded and Mixed by Billy Sherwood at 4TUNE's STUDIO Voice Actors: Malcolm McDowell, Michi Sherwood Mastered by Joe Gastwirt at Joe GASTWIRT MASTERING Additional Engineering: Rob Aubrey for John Wetton Ken Latchney for Adrian Belew Erik Jordan for Rick Wakeman Andy Partridge for Colin Moulding Jeff Knowler for Bill Bruford 4TUNE's STUDIO Technicians: Mark Fergesen, John Cox and Rick Luxumberg Billy Sherwood would like to thank Michi, Ethan, Michael, Jane and Phyllis Sherwood for all their love and support. Rick Donaleshen, Scott Walton, Phil Carson, Carvin Guitars, Charlie Brusco, Martha Belew, Martin Darvill, Esession, Paul Secord, Everyone at CLEOPATRA RECORDS. Phil MANZANERA ::: 256 kb/s ::: VBR     Listen Now 1977   1. Listen Now   2. Flight 19   3. Island   4. Law And Order   5. Que ?   6. City Of Light   7. Initial Speed   8. Postcard Love   9. That Falling Feeling Phil Manzanera - Guitars (1-9), Hammond Organ (4), Acoustic Piano (6) Eno - Guitar Treatment (2), Chorus Piano (6), Synthesiser (3, 8, 9) Francis Monkman - Synthesizers (7), Fender Rhodes (7) Rhett Davies - Hammond Organ (5), Frog (6) Eddie Rayner - Acoustic Piano (9) Billy Livsey - Fender Rhodes (4) Eddie Jobson - Fender Piano (3), Acoustic Piano (2, 8) Billy Livsey - Wurlitzer Piano (1) Mel Collins - Saxes (1), Big Band (1), Soprano Sax (7) John White - Tuba (4) Billy Livsey - Clarinet (4) Ian MacCormick - Harmonica (6), Vocals (1) Bill MacCormick - Bass (1-9), Wurlitzer Bass (1), Lead Vocals (2, 6, 8), Vocals (1, 4), Chorus Vocals (9) Simon Phillips - Drums (2, 3, 5, 7, 9), Percussion (1, 2) Dave Mattacks - Drums (1, 4, 6) Kevin Godley - Percussion (1), Vocals (1), Chorus Vocals (2), Heavenly Voices (7, 9) Simon Ainley - Lead Vocals (1, 2, 4, 6, 8, 9) Alan Lee - Chorus Vocals (4) Lol Creme - Chorus Vocals (2), Gizmo (2, 7) Tim Finn - Backing Vocals (2), Chorus Vocals (9) Produced by Phil Manzanera Rhett Davies - Engineer Engineer on MANOR RECORDING by Martin Lawrence Mike BATT ::: 320 kb/s ::: VBR     Schizophonia 1978   1. The Ride To Agadir   2. Berber's Prayer   3. The Walls Of The World   4. Insh'Allah   5. The Fires Of Rabat   6. It Seemed Like A Good Idia At The Time   7. Bouree (From J.S. BACH - Suite No.2 in B minor)   8. Railway Hotel   9. Voices In The Dark 10. Don't Let Me Be Misunderstood Mike Batt - Wurhtzer Electric Piano (3, 9), ARP Synthesizer (4, 9), Clavmet (5), Keyboards (10), Accordion (10), Vocals (1, 3, 4, 6, 8-10) Chris Spedding - Guitar (1, 3-6, 8-10) Roger McKew - Guitar (1, 3) Alan Parker - Guitar (1, 4, 5, 9) Les Thatcher - Guitar (3) Brian Cole - Pedal Steel Guitar (3, 5), Steel Guitar Solo (9) Toose Taylor - Guitar Solo (10) Peler Knight - Fiddle "Micro-Solo" (1) Anthony Camden - Oboe Solos (1), Cor Anglais (8) Chris Genl - Sax (10) Les Hurdle - Bass (1, 4) John Fiddy - Bass Guitar (5, 9) Herbie Flowers - Bass (3) Rick Kemp - Bass (8, 10) Clem Catlini - Drums (1, 3, 4, 6) Terry Cox - Drums (5, 9) Kenny Jones - Drums (10) Richard Studt - Violin (1) Warwick Hill - Violin (1) Chris Karan - Tablas (1, 4) Ray Cooper - Percussion (1, 3-6, 8-10) Seoud Islam - Spoken Voice (2) Produced and Arranged by Mike Batt U.K. ::: 256 kb/s ::: VBR     Danger Money 1979   1. Danger Money   2. Rendezvous 6 : 02   3. The Only Thing She Needs   4. Caesar's Palace Blues   5. Nothing To Lose   6. Carrying No Cross John Wetton - Bass, Guitar, Arranger, Vocals Eddie Jobson - Violin, Arranger, Keyboards, Violin (Electric) Terry Bozzio - Percussion, Drums John Wetton - Producer Eddie Jobson - Producer Geoff Emerick - Engineer John Punter - Engineer George Marino - Mastering Nigel Walker - Assistant Engineer     Night After Night  (Live) 1979   1. Night After Night   2. Rendezvous 6 : 02   3. Nothing To Lose   4. As Long As You Want Me Here   5. Alaska   6. Time To Kill   7. Presto Vivace   8. Carrying No Cross   9. In The Dead Of Night 10. Caesar's Palace Blues John Wetton - Bass, Guitar, Vocals Eddie Jobson - Violin, Keyboards, Violin (Electric) Terry Bozzio - Percussion, Drums John Wetton - Producer Eddie Jobson - Producer Michael Braunstein - Engineer Mitch Gibson - Assistant Engineer Ebet Roberts - Photography Neil Zlozower - Photography Max Takahashi - Photography John Shaw - Photography John WETTON ::: 320 kb/s ::: VBR     Chasing The Deer 1998 (Original Motion Picture Soundtrack)   1. Battle Lines (Movie version)   2. Chasing The Deer Arranged by David Lowe   3. Drummossie Moor Arranged by David Lowe   4. Prestonpans Arranged by David Lowe   5. Mary's Theme Arranged by David Lowe   6. Battle Lines (Acoustic version) John Wetton - Liner Notes Robin Ayling - Coordination YES ::: 320 kb/s ::: VBR     Going For The One (bonus tracks) 1977 Bonus Tracks   1. Montreux's Theme First issued on YesYears, ATCO (8/6/91)   2. Vevey (revisited) An edit of this track was first issued on YesYears, ATCO (8/6/91)   3. Amazing Grace Recorded at ADVISION STUDIOS, London, November 4, 1976 First issued on YesYears, ATCO (8/6/91)   4. Going For The One (rehearsal)   5. Parallels (rehearsal)   6. Turn Of The Century (rehearsal)   7. Eastern Numbers (early version of "Awaken") Jon Anderson - Guitar (1, 5, 7), Harp (2), Vocals (5-7) Steve Howe - Electric Guitar (1, 5-7), Guitar (4) Chris Squire - Bass Guitar (1, 3, 4-7) Rick Wakeman - Keyboards (1, 5-7), Church Organ (2) Alan White - Drums (1, 4-7), Tuned Percussion (7) All Tracks Arranged & Produced by YES except "Amazing Grace" Produced by Chris Squire, Mixed by Bobby Warner at Atlantic Studios, New York, April 29, 1991 Recording Engineer John Timpeney Assisted by David Richards Executive producer Brian Lane Sleeve Design and Photography by HIPGNOSLS YES Logo Designed by Roger Dean Graphics by George Hardie Inner Spread Photo: Alex Grob and Jaques Straessie     90125 (bonus tracks) 1983 Bonus Tracks   1. Leave It (Single remix) Remixed By Steve Upson, ATCO Single (2/84)   2. Make It Easy First issued on YesYears, ATCO (8/6/91)   3. It Can Happen (Cinema version) First issued on YesYears, ATCO (8/6/91)   4. It's Over (Previously unissued)   5. Owner Of A Lonely Heart (Extended remix) (Previously unissued)   6. Leave It ('A Capella' version) Remixed By Steve Upson, ATCO Single (2/84) Jon Anderson - Vocals Trevor Rabin - Guitars, Keyboards, Vocals Tony Kaye - Keyboards Chris Squire - Bass Guitar, Vocals Alan White - Drums, Percussion, Vocals Tracks 1-4 Performed by Tony Kaye, Trevor Rabin, Chris Squire & Alan White Produced by YES Recorded at SUNPARK STUDIOS. London (1/81) Engineered by Nigel Luby & Trevor Rabin Jon ANDERSON ::: 320 kb/s ::: VBR     Watching The Flags That Fly 2007   1. Hold You in My Arms   2. Take The Water To The Mountain   3. After The Storm   4. Watching The Flags That Fly   5. Touch Me Heaven   6. We Make Believe   7. To The Stars   8. Instrumental 1   9. Is It Love 10. Axis Of Love 11. Instrumental 2 12. Santa Barbara 13. Tall Buildings 14. Looking For The Words 15. Try It Again Jon Anderson In 1990, when most of the original members of Yes were working under the name ANDERSON BRUFORD WAKEMAN HOWE for legal reasons, Jon Anderson recorded a batch of demos for what would have been the second ABWH album. When the band reunited with Chris Squire under their original moniker, the ABWH project was abandoned, and the songs fell between the cracks. This collection preserves those demos as a part of YES history. The arrangements are fairly bare-bones, mostly electronic, but one can imagine the elaborate sonic garments of the YES men being draped over the skeletons of these songs without too much effort. Chris SQUIRE Billy SHERWOOD ::: 256 kb/s ::: VBR     Conspiracy 2000   1. Days Of Wonder   2. Light In My Life   3. Violet Purple Rose   4. No Rhyme   5. Lonesome Trail   6. The More We Live   7. Love Conquers All   8. You're The Reason   9. Watching The World 10. Red Light Ahead Bonus Tracks 11. Wish I Knew 12. Man In The Moon 13. Say Goodbye Chris Squire - Bass (1-10), Acoustic Guitar (10), Lead Vocal (1, 2, 4, 5, 9, 10), Vocals (3, 6-8) Billy Sherwood - Guitars (1, 2, 4-10), Keys (1-10), Drums (4, 6, 10), Percussion (1-10), Lead Vocal (3, 6-8), Vocals (1, 2, 4, 5, 9) Steve Steven - Guitars (3) Jimi Haun - Guitar Solo (7) Jay Schellan - Drums (1, 8, 9), Tom Toms (4) Mark T. Williams - Drums (2) Michael Bland - Drums (3) Alan White - Drums (5, 7) Chris Squire - Producer Billy Sherwood - - Producer, Recorder, Mixing Joe Gastwirt - Mastering Chuck Wright - Design, Illustrations All Songs Writetten by Squire / Sherwood except 3, by Squire / Sherwood / Stevens Patrick MORAZ ::: 320 kb/s ::: VBR     Story Of   1976   1. Impact   2. Warmer Hands   3. The Storm   4. Cachaca (Baiao)   5. Intermezzo   6. Indoors   7. Best Years Of Our Lives   8. Descent   9. Incantation (Procession) 10. Dancing Now 11. Impressions (The Dream) 12. Like A Child Is Disguise 13. Rise And Fall 14. Symphony In The Space Bonus Tracks 15. Cachaca Variations 16. Cachaca's Children's Voices Patrick Moraz - Keyboards, Vocals, Marimbaphone, Additional Assorted Percussions John McBurnie - Lead Vocals Vivienne McAuliffe - Vocals and Additional Lead Vocals Ray Gomez - Electric Lead and Rhythm Guitars Jeff Berlin - Electric Basses Alphonse Mouzon - Drums (1-7) Andy Newmark - Drums (8-14) The Percussionists of Rio de Janeiro: Leader of Percussionists - Gilson de Freitas Bateria - Paulinho Braga Tumba - Hermes Varios - Chico Batera Sardos I - Gordinho Surdos II - Claudio Corte - Bezerra (with Birimbau) Ripique - Doutor Cuica - Nenem Pandero - Jorginho Ganza - Wilson Frigideira - Geraldo Sabino Reco-Reco - Risadinha Agogo - Jorge Garcia Tamborins - Marcal (with matchboxes), Luna, Elizeu Jean-Luc Bourgeois - Songs and Tam-Tams Auguste De Anthony - Acoustic Guitar and Additional Electric Guitars Jean Ristori - Cello and Acoustic String Bass Philippe Staehli - Tympanis and Assorted Percussions Rene Moraz - Tap Dance and Castagnets The CHILDREN Of MORAT, Switzerland Veronique Mueller - French and Additional Vocals Patrick Moraz - Producer All Music and Themes Composed, arranged, and Conducted by Patrick Moraz Orchestrations by Patrick Moraz English Lyrics by John McBurnie French Lyrics by Patrick Moraz Engineered by 'Professor' Jean Ristori and Chris Snoopy' Penycate Recorded Autumn '75 in 'AQUARIUS' STUDIO, Geneva (Sessions in Brazil, 16th and 17th August '75) Steve HOWE ::: 256 kb/s ::: VBR     Turbulence 1991   1. Turbulence   2. Hint Hint   3. Running The Human Race   4. The Inner Battle   5. Novalis   6. Fine Line   7. Sensitive Chaos   8. Corkscrew   9. While Rome's Burning 10. From A Place Where Time Runs Slow Steve Howe - Guitars Billy Currie - Keyboards, Viola Bill Bruford - Drums Additional Musicians: Andrew Lucas - Organ (1) Nigel Glockner - Drums (3, 6) Produced by Steve Howe Renny Hill - Mixing Tim Weidner - Engineer Roger Dean - Art Direction, Design, Cover Design, Logo Kai Krause - Cover Design, Logo Ebet Roberts - Photography     Homebrew 2 2000   1. Masquerade Early '80s version of track on Union (YES)   2. Success Story Used as part of "Be The One" on Keys To Ascension (YES)   3. Together Became "That, That Is: Togetherness" on Keys To Ascension   4. Rhythm Of The Road Used as part of "That, That Is" on Keys To Ascension   5. Separate Ways Used as part of "Footprints" on Keys To Ascension 2 (YES)   6. Sun Carnival Used as the basis for "Bring Me To The Power" on Keys To Ascension 2   7. Riviera Used as the basis for "Bring Me To The Power" on Keys To Ascension 2   8. Sleepless In The City Became "Sign Language" on Keys To Ascension 2   9. The Spiral Became "From the Balcony" on Open Your Eyes (YES) 10. The Serpentine Used as part of "To Be Over" on Relayer (YES), also recycles a riff from Tomorrow 11. Go Between Used as part of "Quartet: I Wanna Learn" on ABWH (ABWH), possibly taken from Guitar Player 12. Follow Your Heart Used as part of "When The Heart Rules The Mind" on GTR (GTR) 13. Beginnings Later version of the track on Beginnings 14. Surface Tension Early versions of tracks on The Steve Howe Album 15. Every Time You Look Over Your Shoulder Early versions of tracks on The Steve Howe Album 16. Cactus Boogie Early versions of tracks on The Steve Howe Album 17. Resistance Day Alternate version of "Corkscrew" on Turbulence 18. Wayward Course Alternate version of track on The Grand Scheme Of Things 19. Spanish Heritage Alternate version of "Heritage" on Not Necessarily Acoustic, possibly taken from Guitar Player 20. Outlawed Alternate version of "Bareback" on Not Necessarily Acoustic, possibly taken from Guitar Player 21. Mules' Head Stomp Alternate version of "Second Initial" on Not Necessarily Acoustic, possibly taken from Guitar Player Steve Howe - Spanish Guitar (1, 3, 9, 11, 13, 19), Electric Guitars (2, 4-8, 10, 12, 15, 16, 20), Acoustic Guitar (4, 7, 10, 14, 15, 17, 18, 20, 21), Sitar Guitar (10), Pedal Steel (1), Autoharp (17), Mandolin (19), Synths (1-3, 7, 9, 11, 19), Synth Guitar (12), Piano (15), Bass (1-9, 11, 12, 15, 16, 19-21), Programmed Drums (2, 4-7), Percussion (3, 8, 9, 19), Drum Machine (12), Drum box (15), Vocals (12, 15, 17) Additional Musicians: Patrick Moraz - Harpsichord (13) Curtis Schwartz - Programmed Drums Produced, Arranged and Engineered by Steve Howe except Engineered by Curtis Schwartz (4, 6), Greg Jackman (14, 17) Mixed by Curtis Schwartz (2, 4, 6, 8, 11, 19, 21) Cover and Package Design by Doug & Glenn Gottlieb Photographs by Steve Howe, Gottlieb Bros. Jim Halley - Management LONDON PHILHARMONIC ORCHESTRA ::: 320 kb/s ::: VBR     Symphonic Music Of YES 1993   1. Roundabout   2. Close To The Edge   3. Wonderous Stories   4. I've Seen All Good People   5. Mood For A Day   6. Owner Of A Lonely Heart   7. Survival   8. Heart Of The Sunrise   9. Soon 10. Starship Trooper Steve Howe - Acoustic Guitar, Electric Guitar, 6 & 12-String Guitar, Mandolin, Spanish Guitar, Steel Guitar, Guitar (Dobro), Backing Vocals David Palmer - Synthesizer (2), Grand Piano (1-3, 6-10), Vocoder (1-3, 6-10), Hammond Organ (1-3, 6-10), Arranger, Conductor Julian Colbeck - Hammond Organ Solo (1) Tim Harries - Bass (1-4, 6-10) Bill Bruford - Drums (1-4, 6-10) Jon Anderson - Vocals (1, 4) The LONDON PHILHARMONIC ORCHESTRA - Orchestra (1-4, 6, 8-10) The ENGLISH CHAMBER ORCHESTRA - Orchestra (5, 7) The LONDON COMMUNITY GOSPEL CHOIR - Choir (4, 7) Keith West - Backing Vocals (1) Steve Howe - Producer David Palmer - Producer (2) Pete Smith, Steve Vining - Executive Producer Alan Parsons - Engineer Roger Dean - Cover Painting Back in 1976 Eric Woolfson and Alan Parsons created "Tales Of Mystery And Imagination", in 2003 Eric Woolfson revisits the life and works of Edgar Allan Poe with his album "Poe". While some tracks are obviously about some of Poe's great works, other songs are more about the man himself. The album was first released September 29, 2003 in Germany, Austria and Switzerland. Then on October 27, 2003 in Netherlands, Belgium and Luxembourg. And later on November 17, 2003 in the UK. SLEEVE NOTES: My fascination with the world of Edgar Allan Poe (1809-1849) began more than thirty years ago. It led to the creation of the Alan Parsons Project and the first album Tales Of Mystery And Imagination Edgar Allan Poe in 1976. At that time, I already had in mind a volume two of Tales , but a change of record labels took the APP in other directions. Some years later, I decided it was time for me to revisit my hero, Poe, or Eddy as his friends called him. The first result of this was a stage musical and a concert version of POE which tells the story of his extraordinary life and works. I realized that half of the songs in the musical contained the basis for a possible follow-up to Tales and after preliminary work in my own studio, I went back into the legendary Abbey Road Studios where More Tales Of Mystery And Imagination was completed. During the recordings, I had the immense good fortune to be introduced to Steve Balsamo. His remarkable voice lifted the tracks to a level I had not previously experienced and I pay full tribute to him and the many other talented and dedicated musicians, singers and studio engineers without whom I could not have fulfilled my dream of making a worthy follow up. This current work includes many of Poe's most famous tales and poems but also includes glimpses of episodes in his life. A life, in many cases, even more bizarre and tortured than his literary works. The supreme irony of this literary giant surely lies in the fact that though constantly in poverty or debt for nearly all of his life, a copy of his first published poem Tamerlane would sell at auction today for over half a million dollars. It is probably the highest priced item of classical American literature. In death he also achieved world-wide success and acknowledgement as the the genius who devised the genres of the Detective Novel and Science Fiction . To me, the greatest compliment that has been paid to recordings of my work is that they are Cinematic and while listening, if you close your eyes, you can see pictures. Without wishing to intrude into the creative imaginations of the listener, I have included a brief reference to the literary work or event in Poe's life that originally inspired my work. The instrumental "Angel Of The Odd" is the title of one of Poe's quirkiest stories. "Wings Of Eagles" expresses the way he saw the world. The commonplace becomes distorted into fantasy. Reality assumes an overwhelming intensity, creating an emotional roller-coaster for his turbulent emotions. Poe as an infant was introduced to gin and laudanum (an opiate), by an exhausted, though well-meaning nanny. Little wonder that this led to problems throughout his life. Shortly before his death, Poe was found badly beaten and left for dead outside a tavern which had served as a polling station in a local election. "Train To Freedom" was inspired by the atmosphere of the political campaigning that might have prevailed in that bar. Untimely death was a recurring feature of Poe's life and works. Possibly, his inability to come to terms with the death of his mother when he was three years old, found an outlet in so many of his stories of premature burials and the beautiful, though ghostly heroines of his poetry. All of this is reflected in "Somewhere In The Audience". It was the sound of words even more than their meaning that enthused Poe. His poem "The Bells" is an outstanding example. To me, the most graphic of Poe's tales is "The Pit And The Pendulum", which tells the story of a helpless victim of the Spanish Inquisition. "The Murders In The Rue Morgue" is the first detective novel and Poe's fictional sleuth. C. Auguste Dupin was the inspiration for Sherlock Holmes some sixty years later. "Tiny Star" is a further reflection on the mother who died when Eddy was three years old. The song is a remembrance of a lullaby that she might have sung. His marriage to his young cousin Virginia inspired "Goodbye To All That". She, like his mother, was to die at age twenty four. Rufus Griswold was a jealous rival. Although he was Poe's literary executor, when Poe died, he wrote a poisonous obituary and did everything he could to bury his works along with the man. Despite Griswold's efforts, Poe eventually took his rightful place as one of the greatest literary geniuses of all time. The song, "Immortal" is a reflection on the presence of Poe's everlasting spirit. Eric Woolfson, May 2003 Yngve GUDDAL Roger MATTE ::: 256 kb/s ::: VBR     Genesis For Two Grand Pianos 2002   1. Fountain Of Salmacis   2. Mad Man Moon   3. Can-Utility And The Coastliners   4. One For The Vine   5. Down And Out   6. Duke's Travels   7. Evidence Of Autumn Yngve Guddal - Grand Piano Roger Matte - Grand Piano Eric WOOLFSON ::: 320 kb/s :::     POE: More Tales Of Mystery And Imagination 2003   1. Angel Of The Odd   2. Wings Of Eagles   3. Train To Freedom   4. Somewhere In The Audience   5. The Bells   6. The Pit And The Pendulum - Part I   7. The Pit And The Pendulum - Part II   8. The Pit And The Pendulum - Part III   9. The Murders In The Rue Morgue 10. Tiny Star 11. Goodbye To All That 12. Immortal Eric Woolfson - All Instruments, Lead Vocal (7) Steve Balsamo - Lead Vocal (2, 4, 6, 8, 10) Fred Johanson - Lead Vocal (3) Produced by Eric Woolfson Sleeve Design by Ryanart Back in 1976 Eric Woolfson and Alan Parsons created "Tales Of Mystery And Imagination", in 2003 Eric Woolfson revisits the life and works of Edgar Allan Poe with his album "Poe". While some tracks are obviously about some of Poe's great works, other songs are more about the man himself. The album was first released September 29, 2003 in Germany, Austria and Switzerland. Then on October 27, 2003 in Netherlands, Belgium and Luxembourg. And later on November 17, 2003 in the UK. SLEEVE NOTES: My fascination with the world of Edgar Allan Poe (1809-1849) began more than thirty years ago. It led to the creation of the Alan Parsons Project and the first album Tales Of Mystery And Imagination Edgar Allan Poe in 1976. At that time, I already had in mind a volume two of Tales , but a change of record labels took the APP in other directions. Some years later, I decided it was time for me to revisit my hero, Poe, or Eddy as his friends called him. The first result of this was a stage musical and a concert version of POE which tells the story of his extraordinary life and works. I realized that half of the songs in the musical contained the basis for a possible follow-up to Tales and after preliminary work in my own studio, I went back into the legendary Abbey Road Studios where More Tales Of Mystery And Imagination was completed. During the recordings, I had the immense good fortune to be introduced to Steve Balsamo. His remarkable voice lifted the tracks to a level I had not previously experienced and I pay full tribute to him and the many other talented and dedicated musicians, singers and studio engineers without whom I could not have fulfilled my dream of making a worthy follow up. This current work includes many of Poe's most famous tales and poems but also includes glimpses of episodes in his life. A life, in many cases, even more bizarre and tortured than his literary works. The supreme irony of this literary giant surely lies in the fact that though constantly in poverty or debt for nearly all of his life, a copy of his first published poem Tamerlane would sell at auction today for over half a million dollars. It is probably the highest priced item of classical American literature. In death he also achieved world-wide success and acknowledgement as the the genius who devised the genres of the Detective Novel and Science Fiction . To me, the greatest compliment that has been paid to recordings of my work is that they are Cinematic and while listening, if you close your eyes, you can see pictures. Without wishing to intrude into the creative imaginations of the listener, I have included a brief reference to the literary work or event in Poe's life that originally inspired my work. The instrumental "Angel Of The Odd" is the title of one of Poe's quirkiest stories. "Wings Of Eagles" expresses the way he saw the world. The commonplace becomes distorted into fantasy. Reality assumes an overwhelming intensity, creating an emotional roller-coaster for his turbulent emotions. Poe as an infant was introduced to gin and laudanum (an opiate), by an exhausted, though well-meaning nanny. Little wonder that this led to problems throughout his life. Shortly before his death, Poe was found badly beaten and left for dead outside a tavern which had served as a polling station in a local election. "Train To Freedom" was inspired by the atmosphere of the political campaigning that might have prevailed in that bar. Untimely death was a recurring feature of Poe's life and works. Possibly, his inability to come to terms with the death of his mother when he was three years old, found an outlet in so many of his stories of premature burials and the beautiful, though ghostly heroines of his poetry. All of this is reflected in "Somewhere In The Audience". It was the sound of words even more than their meaning that enthused Poe. His poem "The Bells" is an outstanding example. To me, the most graphic of Poe's tales is "The Pit And The Pendulum", which tells the story of a helpless victim of the Spanish Inquisition. "The Murders In The Rue Morgue" is the first detective novel and Poe's fictional sleuth. C. Auguste Dupin was the inspiration for Sherlock Holmes some sixty years later. "Tiny Star" is a further reflection on the mother who died when Eddy was three years old. The song is a remembrance of a lullaby that she might have sung. His marriage to his young cousin Virginia inspired "Goodbye To All That". She, like his mother, was to die at age twenty four. Rufus Griswold was a jealous rival. Although he was Poe's literary executor, when Poe died, he wrote a poisonous obituary and did everything he could to bury his works along with the man. Despite Griswold's efforts, Poe eventually took his rightful place as one of the greatest literary geniuses of all time. The song, "Immortal" is a reflection on the presence of Poe's everlasting spirit. Eric Woolfson, May 2003 Ray WILSON ::: 192 kb/s :::     Change (bonus tracks) 2003 Bonus Tracks   1. Gouranga   2. Dark   3. Cool Water Ray Wilson - Vocals, Guitars, Bass Guitars, Mouth Organ, Piano, Strings Steve Wilson - Guitar and Backing Vocals Amanda Lyon - Vocals Nir Z - Drums, Percussion (2, 3, 4, 6, 9, 12) Brian McAlpine - Accordion (1, 6, 8, 12, 13) Andy Hess - Bass Guitar (3, 6, 9, 12) Irvin Duguid - Hammond Organ, Wurlitzer, Strings (2, 4, 7, 9) Taj Wyzgowski - Guitar, Slide Guitar, Mandolin (2, 3, 5) Adam Holzman - Wurlitzer (3, 6) Jonny Gardner - Violin (4) David Paton - Bass (4) Produced by Ray Wilson Engineered And Mixed by Uncle Jack Programming by Unce Jack Recorded at JAGGY THORN STUDIO (Edinburgh) Photos by Bernie Velasco - email Bernievelasco@yahoo.com Mastered by Mark Finlay Cover by Scott Spence and Thomas Ewerhard Layout by Thomas Ewerhard Special Thanks: Tyla Wilson, Frajo, Natalie, Lisa, Andrew Brittain, Pamela McEwan, Ralf Helmersdorten, Irmgard Helmersdorten, Pauline Kerr, Scott Spence, Vicki Johnson, Mum, Dad, Brian, Stuart Wilson, Tim Prior and Verena Magitteri at ARM, Thomas and Michael and all at INSIDE OUT and SPV All Songs Written by Ray Wilson, except Track 4, 9, 10 Written by Steve Wilson